Help KIln was set to hold for 35 hours instead of minutes
#1
Posted 02 January 2012 - 12:25 PM
#2
Posted 02 January 2012 - 12:55 PM
If you used glazes that tend to be runny, they will be verrry runny, a matte glaze may come out cool though.
I did over fire once, not very pretty.
Good luck, hope you get something out of it.
#4
Posted 02 January 2012 - 01:58 PM
I do have one very runny glazes archies base on the rim of one pot the others I think are pretty stable. A couple of chinos and amaco firebrick. WEll I hope I dont have to buy new kiln furniture!! That would not be good. We will certainly see and I will post pictures if you promise not to laugh!! I am a new potter remember only been doing this 6 months!
#5
Posted 02 January 2012 - 03:17 PM
Also, you will never forget to double check your settings again.
Post pictures ... We all want to see what happened.
Contemporary Fine Colored Porcelain
www.ccpottery.com
"My Artwork would not exist without a thriving global pottery community.
In the isolation of a studio, an artist can begin to feel like an island, but in truth
we are all part of archipelagoes; chains of islands loosely connected by a stream
of information that enhances our Artwork.”
#6
Posted 02 January 2012 - 03:31 PM
This is from your own L&L kiln firing manual-
NOTE: It is critical for someone to be present for, and especially at the end of, each firing. This is particularly true for this first firing. Even if you have an AutoCone Back-up - no safety device is entirely foolproof.
I can understand a few minutes over firing but 10 hours! For shame!
Where were you? (don't answer me).
What were you doing?(definitely don't answer me).
But you cannot leave a kiln unattended! When you open the kiln you will learn alot one way or another.
What ever the results will be, be sure to keep a firing log.
Take a picture if you can; if it is a disaster or otherwise and post it to encourage others to be present during kiln shut off or to let us see what a ten hour overfire can do..
If you had been a student of mine I wouldn't have been so light hearted about this. Your kiln is your most important piece of studio equipment don't ever take it lightly.
#7
Posted 02 January 2012 - 05:24 PM
Our electric kilns at the college are always fired and left overnight...by the instructor herself. The only kiln that is pysically monitored and logged is the big gas kiln outside where pyrometric cones are used and each person in charge has a different theory on reduction and how it should be done. LOL.
As someone who is also only 6 months into this...I hope yer peices come out OK grayfree!
#8
Posted 02 January 2012 - 06:08 PM
#9
Posted 02 January 2012 - 06:30 PM
www.DinahSnipesSteveni.com
#10
Posted 02 January 2012 - 07:28 PM
Now I know what my daughter feels like when she called after making a mistake and I would fuss about why she should have known better. Wish I would have just held her hand and told her it would be OK no matter what......LOL.
#11
Posted 02 January 2012 - 09:16 PM
Truth be told, we have all made this level of error and lived to tell the tale ... You didn't mess up someone's brain surgery or wreck the car. It's a kiln load of clay. Some wasted electricity. You will no doubt pay for your error by having some serious shelf scraping to do. Lesson learned and move on to the next mistake.
Truth again ... Been at it twenty five years and in that time have overtired, underfired, glazed with the wrong cone of glaze, left out witness cones by mistake, forgotten to start the kiln, forgotten to be there at the end ... It's called being human. Stuff happens. Just keep moving forward and learn as you go.
Contemporary Fine Colored Porcelain
www.ccpottery.com
"My Artwork would not exist without a thriving global pottery community.
In the isolation of a studio, an artist can begin to feel like an island, but in truth
we are all part of archipelagoes; chains of islands loosely connected by a stream
of information that enhances our Artwork.”
#12
Posted 02 January 2012 - 09:19 PM
Who knows...maybe you'll create a new firing technique and all of these folks whappin on yer knuckles with the teacher's ruler will be dropping yer name in an attempt to impress other potters @ some point in time.
Follow the manual's advice...wait til the temp hits 250F...then grab some insulated gloves and tear into it
good luck. Don't let em bring ya down.
#13
Posted 02 January 2012 - 09:29 PM
#14
Posted 02 January 2012 - 10:11 PM
grayfree, on 02 January 2012 - 04:28 PM, said:
Now I know what my daughter feels like when she called after making a mistake and I would fuss about why she should have known better. Wish I would have just held her hand and told her it would be OK no matter what......LOL.
Oh, that learning curve's a b....! I do so admire your sense of humour and applaud your resolve to remain hopeful during all the waiting involved...
We've all done things that wouldn't be believed or understood by others both novice and advanced potters. You've earned your stripes and I'm sure you'll never do "that" again. This endeavour involves
countless opportunities for screw ups. Check and then recheck, practice and do as much testing as you can.
It'll fall into place and you'll look back at hurdles like this with a smile and a great story to tell..
#15
Posted 02 January 2012 - 10:36 PM
grayfree, on 02 January 2012 - 07:28 PM, said:
Now I know what my daughter feels like when she called after making a mistake and I would fuss about why she should have known better. Wish I would have just held her hand and told her it would be OK no matter what......LOL.
Hang in there grayfree, I doubt there's anyone on this forum who hasn't got a head-slap mistake like this in their past - possibly even RECENT past.
Don't take it too much to heart, but learn from it. DON'T do any more firing until you find out a bit more about your kiln and how to operate it though. For instance - peepholes. It's my understanding that you need eye protection to use the peepholes. I've seen raging arguments over whether welder's glasses offer proper protection or some other kind of lenses. In other words, I have the impression (haven't looked into it at all, no pun intended) that you should NOT be looking into those peepholes without eye protection, at least some of the time.
I don't have kiln yet so other than the electrical characteristics of kilns in general (as pieces of equipment) I don't know squat about actually operating them, but I have no intention of trying without getting fully educated beforehand including actual forays into the loading and programming of kilns under the supervision of someone who knows what they are about. In person.
DEFINITELY you need to educate yourself before trying this again, K? Not trying to beat you about the head and neck with it, but this is a high-tech piece of equipment we're talking about, with a lot of power and as much potential for disaster as it has for utility.
Whatever useful resources people can suggest for you, I'll need as well. Knowing the basics of how kilns function electrically doesn't give me any special insight into their actual operation at all.
"I don't need you to remind me of my age. I have a bladder to do that for me."
-- Stephen Fry
#16
Posted 03 January 2012 - 12:25 AM
#20
Posted 03 January 2012 - 09:34 AM

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