That is a very well thought out definition. I have taught for years as well and have seen people go head over heels for clay. For myself, when I started throwing, I worked in the college studio until 10 pm every night I could. My arms eventually developed a forearm muscle where my skinny straight arms had previously been. I felt like Popeye. We were eager to get permission to fire the salt kiln because we could stay all night and work. We had to salt before dawn in center city Philadelphia. Cardew said there are Mud Potters and Fire Potters and I tended towards the fire part at times. Going to NCECA was so much fun to find others to talk to about kiln designs, firing, etc.
Now we have the internet, forums etc. It is now easier to seek out discussions on these topics.
The first NCECA I attended I wandered around and could hear tidbits of conversations about problems with Gerstley Borate or a Soda Firing and I realized that they were speaking my language. What a wonderful feeling it was, I felt like I was home the internet, forums and ect. keep me connected in the same way. Denice
Denice, was that the NCECA in Wichita? Michael Cardewwas there and so was juan and Nicholas Quezada. they were amazing.