|
|
We need passionate newbies; we do, in fact, want them to be fired up about clay. But once they are interested, and we have them in our clutches, and they have learned a subtle thing or two about the wonders of clay, then I think it is reasonable to expect that their vocabulary and manner of dialog reflect their level of knowledge—which is to say that they move from being fired up to becoming stoked, or centered (well, maybe not centered—that takes quite a while). —Sherman Hall, Editor Read the full Letter From the Editor.
Subscribers can view this issue online!
cover: Kate Maury’s Grotto (For Marie), collaboration with David Swenson, 24 in. (61 cm) in height, handbuilt porcelain, fired to cone 6 in oxidation. Photo: Brad Daniels (http://braddaniels.com).
|
| In this issue: |
||
 |
 |
 |
| Sources and Influences: Mentors and Students by Kathleen Kneafsey |
Mr. Bailey’s Museum of Wonders by Garth Johnson |
Summer Workshops 2012 |
 |
 |
 |
| Studio Visit: Backa Carin Ivarsdotter Stockholm/Valskog, Sweden |
Techno File: Plaster (Gypsum) by Guy Michael Davis |
Clay Culture: Pacific Standard Time by Kathleen Whitney |
 |
 |
 |
|
Clay Culture: |
Clay Culture: Khan Academy by Jessica Knapp |
Exhibition Review: Dark Childhood: “Push Play: The 2012 NCECA Invitational” by Matthew Kangas |
 |
 |
|
| Exhibition Review: Taken into Context by Keith J. Williams |
Spotlight: Clay Is Back at Otis by Margaret Reeve |
|
| To purchase this back issue, call 1-800-342-3594. Get great content like this every month: Subscribe today! |