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Many artists find themselves overcoming issues far more complex than sagging plates, and the creative process that is wrapped up in material, form, and technique is at the center of this kind of problem solving. —Sherman Hall, Editor
Read the full Letter From the Editor. Subscribers can view this issue online!
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| In this issue: |
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| Eliza Au: The Beauty of Order by Amy Gogarty |
Atmospheric-like Effects for Electric Firing by Steven Hill |
Studio Visit: Kenji Uranishi Brisbane, Queensland, Australia |
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| Techno File: Castable Refractory by John Britt |
Clay Culture: Mashiko Revisited by John Baymore |
Clay Culture: Semper Fidelis by Tom Hubbard |
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Clay Culture: Eva Zeisel, 1906–2011 |
Exhibition Review: Annabeth Rosen: Fictions of Stability by Kathleen Whitney |
Exhibition Review: Doug Jeck: Early Works by Matthew Kangas |
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| Exhibition Review: International Ceramics Competition Mino by Naomi Tsukamoto |
Spotlight: Fragile Function by Boaz and Mey Kahn, StudioKahn |
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| To purchase this back issue, call 1-800-342-3594. Get great content like this every month: Subscribe today! |