|
|
Mostly, it’s because I think it’s just so satisfying to make use of what is at hand. I enjoy the labor of it; the physical effort required to change one object into raw material for the creation of another object is transformative not only for the material, but for my understanding of how the world fits together, of how many things we take for granted. —Sherman Hall, Editor Read the full Letter From the Editor.
Subscribers can view this issue online!
cover: Mark Knott’s watering can, 13 in. (33 cm) in height, wheel-thrown and altered porcelain with flashing slip and copper blue glaze decoration, soda fired to cone 6. Photo: Walter Montgomery.
|
| In this issue: |
||
 |
 |
 |
| Working Potter: Mark Knott Suwanee, Georgia |
Working Potter: Tara Wilson Helena, Montana |
Working Potter: George Lowe Decorah, Iowa |
 |
 |
 |
| Working Potter: Linda Christianson Lindstrom, Minnesota |
Working Potter: Jeremy Nichols Broxbourne, England |
Working Potter: Lisa Naples Doylestown, Pennsylvania |
 |
 |
 |
|
Virtual Paris: Ceramics and the |
The Ceramic Continuum of Nikos Rodios by Mark Messenger |
Studio Visit: Billy Lloyd London, England |
 |
 |
 |
| Techno File: Copper Oxide by John Britt |
Clay Culture: Heilbrunn Timeline of Art History by Jessica Knapp |
Clay Culture: Order of Canada by Sherman Hall |
 |
 |
|
|
Exhibition Review: Seattle |
Spotlight: Mobile Raku by Brett Thomas |
|
| To purchase this back issue, call 1-800-342-3594. Get great content like this every month: Subscribe today! |