Ceramics Monthly February 2009
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Focus: Technology Whether you’re talking about the pottery wheel or a rapid prototyping machine, a pit in the ground or a tunnel kiln, technology is closely tied with the production of ceramic objects.
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The New Factory From mass production to mass customization, new technologies always impact the practice of established technologies, even-perhaps especially-those associated with the handmade object. But that’s not necessarily bad. |
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Combining Histories: Make, Mill, Print, Adjust, Repeat Using high-tech industrial applications in a studio setting allows rapid development and alteration of form. Combining these experiments with historical forms and processes creates a dialog and possibilities for content that were previously not available. |
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The Printed Pot Three mechanical engineers print three-dimensional objects in clay, and they share their process and recipes. |
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The Moment at Hand It’s easy to forget that studio ceramics and industry have a long history together. The Kohler Company has opened its factory floor, including factory processes, to artists for 35 years, resulting in new directions for individual studio work. |
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The Contrasts of Gillian Parke Combining materials, decoration and techniques from various cultures and historical periods allows a potter to explore the idea of harmony within contradiction. |
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Ben Ryterband’s Childhood Memories and Worldly Influences Playfulness and sophistication meet in works that explore the physical and metaphorical territory between vessel and sculpture. |
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Following Theseus: The Sculpture of Arthur Gonzalez A linear approach to making figurative work does not necessarily result in a linear narrative, but rather questions a viewer to develop his or her own narrative. |
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MFA Factor: Penn State Not every big football school is also a ceramic powerhouse. |
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To purchase this back issue, call 1-800-342-3594. |
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