In this issue, we’ve asked several makers to describe not only their process for making one of their functional pieces, but the value they hope their work carries that is beyond its basic function—and we hope you value their efforts as much as we do.—Sherman Hall, Editor

Read the full Letter From the Editor.

 

 

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cover: Peter Pincus’ Blue Line Shift, to 11 in. (28 cm) in height, colored porcelain, fired in an electric kiln to cone 6.

 
   
In this issue:
                   

Painting Pots from
the Inside

by Peter Pincus

John Neely: Ceramics
Mechanics

by Glen R. Brown

From Rough Cut to Soft Form

by Krystal Crabb
     
A Balancing Act
by Hannah Meredith 		 Sculptural Platters
by Lars Westby		 Heads and Pots
by Mark Shapiro
     

Studio Visit: Amy Smith

Lincoln, Nebraska

 Techno File: Viscosity
by Tina Gebhart		 Tips and Tools: Dial-in Level 
by Jim Wylder
     
Clay Culture: Indivisible Mug
by Holly Goring		 Clay Culture: The Pot Book,
by Edmund de Waal
by Jessica Knapp
 Clay Culture: Peace by Piece
by Karen Heid
     

Exhibition Review: Serendipity:
An International Exhibition
of Wood-fired Sculpture

by Kevin Crowe

Exhibition Review: David Kaye
Gallery: Robert Archambeau

by Heidi McKenzie

 Spotlight: Generational Shift

by Emily Schroeder Willis
     
     
To purchase this back issue, call 1-800-342-3594.
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