FC_April14CM

In putting our last issue together, focused on Masters in Clay, and receiving great feedback and suggestions from you about your influences and those who you feel deserve coverage of a similar type, I began reflecting more intentionally on what really influences me in the studio. What came from that was an understanding that it’s individuals as much as their work that provide inspiration, information, and understanding.

—Sherman Hall, Editor.

 

Read the full Letter From the Editor.

 

 

Subscribers can view this issue online!

 

Buy this back issue—$4.99 (PDF only). 

 

cover: Joan Bruneau’s flower bricks, to 8.5 in. (22 cm) in diameter, wheel-thrown and assembled Lantz earthenware, slip, polychrome glazes, 2014.

In this issue:


Milgrom_Apr14 Merino_Apr14 SVSeidel_Apr14

Exhibition Review: Ceramics

and Beyond: Isreal’s Seventh

Ceramic Biennale
reviewed by Lilianne Milgrom

Poetic Nature: The Work of

Jan McKeachie Johnston 
reviewed by Anthony Merino

Studio Visit: Diana Seidel, 

Austin, Texas

     
SummerWkshps_Apr14 TT_Apr14 Gebhart_Apr14
Summer Workshops 2014

 

Tips and Tools: Triple-Stage

Clay Trap

by Raquel and Dan Sobel

Techno File: Pyrometric Cones
by Tina Gebhart
     
Nobling_Apr14 Recipes_April2014 Starcevic_April14

Clay Culture: 

In Search of Aiyanar
by Ake and Eva Nobling

Recipes

Joan Bruneau’s polychrome

low-fire glazes, and Val Cushing’s

cone 04,4, 6, and 8-10 glazes.

 

Spotlight: Mid-Career Switch
by Helena Starcevic
     
Ex_Apr14 Marquis_Apr14 Lee_Apr14

Exposure: 

Images from current and

upcoming exhibitions.

Idyllic Place: The Work of

Joan Bruneau 

by Andrea Marquis

Catherine Lee: Constellations

by Kathleen Whitney

     
Lebow_Apr14 Norgdgren_Apr14  

Val Cushing—Potter

by Ed Lebow

Clay Culture: Sedimentology

by Maria Nordgren

 
     
     

 

   

 

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