chun_620Those who know me know I have a thing for the pale blues and blue-greens. Actually you don’t even have to know me…just look at the CAD color scheme. So it is no surprise that Chun glazes are some of my favorites.

 

In today’s post, an excerpt from his book The Ceramic Spectrum, Robin Hopper explains what makes these glazes so lovely. And he shares a couple of recipes for Chun Glazes.- Jennifer Harnetty, editor.

 


 

chun2Chün or Jün glazes are opalescent bluish stoneware or porcelain glazes usually fired in reduction between cone 8 and 10, originating in Song Dynasty, China. Their color is primarily an optical illusion stemming from light refracted off the inside of bubbles trapped in the glaze. The glazes are usually high in silica. The color comes from small percentages of iron often enhanced with minute amounts of copper.

 

chun4Chün glazes are often used in conjunction with copper red slips underneath to develop a range of opalescent purples and blues. Similar opalescent effects may by made by covering a high-iron content temmoku glaze with a fluid ash glaze. The glaze bases here are very similar, since this form of opalescence only occurs within narrow parameters. Besides the glass-forming high silica content in all Chün glazes, the carbonate materials, calcium carbonate, and dolomite are next in importance. They help to produce the bubbles these glazes need in order to refract ambient light.

 


 

Best Glaze Reference Book ON SALE!!!

For more Chun glaze recipes, check out The Ceramic Spectrum! Acclaimed by experts as a standard (and used in many college programs), The Ceramic Spectrum explores every aspect of practical glaze development and demystifies the science in plain English. 

Regular price: $44.95. Sale price: $29.95.

Learn more and download an excerpt!

 

 


 

Chun9Chün or Jün glazes are usually very subtle opalescent pale blue to pale grey-blue. They usually have very small iron colorant additions, usually below 1.5%. In larger amounts the iron gets continually darker until a cloudy temmoku-like glaze is achieved at 5% to 10%. In the test tiles shown here, a brush stripe of copper carbonate in solution with water and a little gum arabic shows the potential of traditional red-purple opalescent glazes. Opalescence is caused by micro-bubbles trapped in the glaze that refract light from the inner bubble surface. They seem to be generally caused by decomposing carbonates, phosphates, or borates. Technically and chemically, they are very similar to the opal gemstone.

 

This series of glazes were developed for North American materials from formulae found in Nigel Wood’s excellent book, Chinese Glazes.

 

 

 


 

For more interesting high-fire glaze recipes and techniques, download your free copy of 10 Tried and True Cone 10 Glaze Recipes: Recipe Cards for our Favorite High-Fire Pottery Glazes, which is free to Ceramic Arts Daily subscribers.. 

 

 


 

 
 
Click here to leave a comment