In today’s post, an excerpt from the newly revised Five Great Pottery Wheel Throwing Techniques: Tips on Throwing Complex Pottery Forms Using Basic Throwing Skills, Hank demonstrated how he makes a faceted wheel thrown bowl on the pottery wheel.
When I was taking my first wheel throwing class, I remember staying in the studio late one night centering clay over and over again. Once I got centering mastered, I remember getting super frustrated because I kept throwing the clay off center when I tried to open it. Then, of course, there was the struggle to pull nice even tall walls. Sound familiar? Since these are not uncommon challenges, I thought I would post this helpful excerpt from Vince Pitelka’s Clay: A Studio Handbook (which is back in print!!). The cross section photos should be a helpful guide for beginners out there and those who teach them.
Today (and this weekend) we are having a sale on one of our popular DVDs: Jake Allee’s Assembly Required: Building Complex Pottery Forms by Throwing, Altering, and Assembling. So to give you a taste of Jake’s processes, I thought I would share this clip from his Hex Jar project. The clip is a good one because not only does Jake explain the cool way he makes his quilted texture, but he also gives an excellent explanation of each step of the throwing process. If you struggle with throwing, this video is for you.
Here in the U.S., we celebrate Thanksgiving today. So I thought I would say thank you to all of you all over the world for your continued support and enthusiasm for Ceramic Arts Daily. Over the past couple of years, this little old website has grown more than we could have ever expected and we couldn’t have done it without you! And for some Thanksgiving fun, I thought I would send out a recipe that’s a little different than our usual recipes. I am also including a little bonus video for making a vessel to go with it. Have a great day!
Mark Peters returns today with another great demo of a pot with some personality. In this clip, He shows us one of his techniques for making a square jar. Square jars are often made by throwing a cylinder with no bottom, squaring it off, and then adding a slab bottom.But in this demo the jar is made in one piece. Mark shares how he accentuates the interior volume and the corners and gives the pot some life. Then he makes a square variation of his thrown and dropped lid (see this post in the Ceramic Arts Daily archives for a more in-depth look at Mark’s thrown and dropped lid!). Happy Friday!
Lorna Meaden considers all the details when designing a new form. That’s why when she came up with a new mug form recently, she decided to carry her mishima decoration around the corner of the rim to the inside of the pot. But this decoration didn’t start in the decorating phase. Paying attention to every detail, Lorna decided that it would make more of a visual impact to throw an interior ridge where the mishima decoration would stop and a different glaze would take over – a beautiful touch that makes for a successful form. In this video, an excerpt from her DVD Integrating Form & Surface with Porcelain, she shows us the cool trick she came up with to make the ridge.
Throwing in sections is a fantastic way to make large work. Rather than trying to muscle a lot of clay into center and pull a tall form, you can divide the clay into manageable quantities. In today’s post, an excerpt from his book Throwing, Richard Phethean takes this process a step further. He ovals the top section to make the pot more interesting. He also shows us an unconventional handle technique.
Bill van Gilder is one of those potters with a million cool tricks up his sleeve. If you’re not able to make it to a Bill Van Gilder workshop, videos are the next best thing. In today’s post, an excerpt from his DVD Pottery Techniques: Making Lidded Forms and Trimming, Bill shares three nifty tricks that he has developed to help streamline his processes.
You may think bigger is better, but it bigger is not necessarily more difficult. As Tony Clennell demonstrates in his DVD Taking the Macho Out of Bigware, the size of a pot has more to do with technique than with muscle. A few basic throwing techniques — and a clever trick or two — will get you on your way to increasing the scale of what you can make and what you can imagine. In this clip, Tony demonstrates how to make a large vase in two parts.
A couple of years ago, master potter Tom Turner decided to record one of his two-day workshops and make it into a DVD. Today, we are presenting an excerpt from that, in which Tom explains the considerations he makes when making lidded forms.