Throwing pottery off the hump is a valuable technique for any potter to learn. Trimming pots off the hump is slightly less well known, but equally valuable.In today’s post, an excerpt from our free download Five Great Pottery Wheel Throwing Techniques: Tips on Throwing Complex Pottery Forms Using Basic Throwing Skills, Simon Levin explains how… Read More »
Wheel Throwing Techniques
For some people, throwing clay on the potter's wheel can be addictive. If you are one of those people, you have come to the right place. Here, professional studio potters provide instruction as well as inspiration for anyone wanting to learn, improve and master wheel throwing techniques. Browse these articles and videos for helpful information such topics as altering wheel thrown vessels or trimming large platters with complex rims.
And, if you haven't already, be sure to download your free copy of Five Great Pottery Wheel Throwing Techniques: Tips on Throwing Complex Pottery Forms Using Basic Throwing Skills, which includes detailed well-illustrated, step-by-step pottery making projects by nationally known potters, teachers and workshop presenters.
Inspired by cup and saucer sets from the 17th and 18th centuries, Lyla Goldstein enjoys investigating the relationship between these two classic pottery forms. In today’s post, an excerpt from our newly revised freebie Five Great Pottery Wheel Throwing Techniques: Tips on Throwing Complex Pottery Forms Using Basic Throwing Skills, Lyla takes us step by… Read More »
Throwing off the hump can really help maximize efficiency in the studio. It may seem like a little thing, but if you are in heavy production the time savings can add up when you start with a large hunk of clay rather than a bunch of small pieces. In today’s post, an excerpt from… Read More »
Frank Krevens had been making faceted cone 10 porcelain work for many years, but after a recent move, he lost access to the high fire kiln. That, and a concern for the environmental impact he was having with the higher fired work, led him to try to develop his palette for low firing. His solution… Read More »
If you ask potters why they work with clay, chances are you’ll hear something to the effect of “the first time I touched clay, I was hooked by its malleability.” This is one of the characteristics of clay that is important to Jane Sawyer. In today’s post, Jane explains how she throws with extra… Read More »
As you are developing skills on the potters wheel, large bellied out forms with narrow rims can be pretty challenging. Once you have the height, it is hard to belly out the form without distorting or widening the rim too much. But this handy, cheap, and simple tool that Jim Wylder came up with… Read More »
Throwing cups and mugs is one of my favorite things to do on the wheel. Partially out of habit, and partially because I secretly love trimming, I usually end up trimming these forms. But I realize that I could be more efficient with my studio time if I just threw these pots so they didn’t… Read More »
It’s funny that once many potters have mastered throwing beautiful, round pots, they often find themselves wanting to explore some non-round forms. But, of course, it’s great to want to challenge yourself by tackling new forms. There are myriad ways to build non-round forms, but if you love throwing, you’ll probably find that throwing and… Read More »
Sometimes I feel like I was born in the wrong era because I just love old things: antiques, weathered old buildings, vintage clothing. If you can relate, then you’ll love today’s feature because we’re going to show you how to create a crackled, craggy texture on your pottery. Canadian potter Robin Hopper explains how some… Read More »
Swirlware, a traditional form of pottery made in the Catawba Valley of North Carolina in the early 1900s, is made by combining contrasting clay bodies when throwing. Michael Kline makes swirlware and other historical North Carolina pottery forms, but puts his own contemporary touch on the work. In today’s video, an excerpt from his… Read More »