Throwing large bowls has been something that has dogged me for quite some time. There’s a certain size bowl that I just cannot seem to get past and while it’s ample, it is not necessarily what I would call large.
So I really like Martina Lantin’s bowl making process, which literally turns the typical bowl making technique on its head. In today’s post, Martina shares her upside-down bowl technique. Not only does this technique make larger bowls more achievable, but it opens the doors for adding gestural qualities as well. – Jennifer Harnetty, editor.
The cereal bowl selection at my house consists mainly of all of my reject bowls from over the years. It’s a motley crew of old, wonky pieces that make me want to reach for the nearest sledgehammer every time I open the cupboard. So I am on a mission: to replace them with more recent work that is finally feeling a bit more resolved and successful. So since I am bowl obsessed, I thought I would share an inspirational bowl video. In this clip, an excerpt from her DVD Creating Curves with Clay (which is now available ad a digital download!), Martha Grover demonstrates how she dresses up a basic ice cream or cereal bowl with curves inspired by orchids and flowing dresses. Enjoy!
Altering forms is a great way to put your own personal touch on them. Jennifer Allen started her exploration of altering pots on plates and mug forms.
In today’s post, an excerpt from her new video Darted and Decorated: Techniques for Enhancing Form and Surface, Jen shares two altering techniques for wheel-thrown plates. – Jennifer Harnetty, editor.
Paul Linhares was introduced to paddling work when watching Yixing teapot makers use paddles to skillfully shape clay slabs into beautiful pots. Years later when he wanted to make a bottle shaped like a fish, he remembered the Yixing potters and decided to use a paddle on his wheel thrown work.
In today’s post, an excerpt from the May/June issue of Pottery Making Illustrated, Paul shares his techniques for paddling wheel thrown forms into shapes that are perfect fur surface decoration. – Jennifer Harnetty, editor.
I have tried many different approaches to throwing bowls, but until filming Lisa Orr’s video (which makes its debut today!), I had never thought to throw a bowl in a bisque mold. Lisa uses this technique so that she can carve low-relief decoration into the mold, which then shows up on the outside of the bowl she makes. To better explain, here’s today’s clip of Lisa making the mold and then throwing a bowl in it. I can’t wait to play around with this idea. Hope you like it as much as I do! – Jennifer Harnetty, editor.
Shana Salaff prefers to design new forms by cutting and pasting components and playing around until she arrives at a form she likes. Sometimes she even goes back to shapes that she thinks she is too comfortable with and deliberately messes with them to see what happens.
This playful approach helped her to develop her “Cut-Rim Plates.” In today’s post, Shana explains how she cuts a wheel-thrown plate into a square and then uses the scraps to create a fresh and interesting rim.–Jennifer Harnetty, editor.
Aysha Peltz’s “Splash Bowls” are inspired by the iconic photograph Milk Drop Coronet, by Doc Edgerton (http://edgerton-digital-collections.org). She was captivated by the “elegance with which the image arrests a moment in time” and realized that the exposure of clay to fire does a similar thing. In today’s post, an excerpt from the April 2015 issue of Ceramics Monthly, Aysha explains how these forms evolved and gives a snapshot of how she creates them. – Jennifer Harnetty, editor.
Flower bricks have a long history in the ceramic world. Initially, they were the shape and size of bricks laying on their sides and had numerous small holes in the top for flowers. But ceramic artists have played with that shape, and now you can find a in a wide array of shapes and sizes made using all sorts of techniques. Joan Bruneau creates her flower bricks from entirely wheel thrown pieces, right down to the florets and rosettes that decorate the flower grid. In today’s post, an excerpt from the Ceramics Monthly archives, Joan shares her process.
You can purchase a PDF of the full article here!
Trimming is a part of the wheel-throwing process that potters either love or hate. Regardless of where you fall on the love/hate scale, today’s video clip from Paul Donnelly should provide some useful information to aid you in the trimming process. In this clip, from his new video Designing for Function: Wheel Throwing, Handbuilding, & Variable Molds, Paul gives some practical tips for better trimming results, as well as some design advice that will help improve your wheel thrown pots.
Sarah Jaeger’s soup tureens have generous, bulbous knobs resembling “onion domes” popular in Russian architecture. They are quite striking and look like they’d be easy to use as well. It can be problematic throwing a knob on a leatherhard lid, especially a large knob and especially with porcelain. There’s always the worry that the lid will give out under the pressure or that the knob will be so heavy it will slump in the kiln. But in today’s post, an excerpt from Throwing, Altering, & Glazing for Function and Beauty, Sarah demonstrates how she makes them and gives tips for avoiding catastrophe!