One of the most frustrating things you can experience as a potter is getting a bit overzealous with your trimming and trimming through a foot (face it, we’ve all done it!). Today I am sharing an excellent trimming clip from Ben Carter’s new DVD Design for the Soft Surface: Throwing, Handbuilding, and Slip Decorating. In this clip, Ben shares his fool-proof method of determining the “safe zone” for trimming, which is one of the best explanations I’ve seen.
We have started an unofficial tradition of sharing both a clay project and an food recipe the day before Thanksgiving. So today I am posting an article from the Potters Kitchen section of the September/October issue Pottery Making Illustrated, which also happens to be a good fall project. In this post, Sumi von Dassow demonstrates how to make an apple baker, and also gives instruction on how to bake the apples once it’s done.- Jennifer Harnetty, editor.
If there is one thing I have learned from making DVDs with uber-talented artists over the last couple of years, it’s to pay attention to all the details. The details make all the difference in the world. Adam Field could stop with his intricately carved surfaces and he would have amazing pots, but he chooses to go even further and consider every additional detail from the lids to the feet. And the pots go from amazing to exquisite. In today’s clip he demonstrates one such detail (on one of the coolest lids I’ve ever seen!).- Jennifer Harnetty, editor.
Trimming is one of my favorite parts of wheel throwing. But with my limited time in the studio, it is an extra step that I sometimes wouldn’t mind avoiding. But if you skip trimming, you have to make sure you do something to make your feet look finished. Otherwise, an otherwise lovely pot can look sloppy. That’s why I love the technique demonstrated in today’s video clip. In this excerpt from his DVD Lively Forms and Expressive Surfaces (which happens to be ON SALE this weekend – October 25 – 28, 2013), Mark Peters shares his no-trim foot technique. – Jennifer Harnetty, editor.
Sets are a great way to have fun with form, and a wonderful project if you like to make animated work. Jen Mecca sees her salt and pepper shakers as characters that need to interact and relate to one another. In today’s post, Jen shares her method for wheel throwing and altering the salt and pepper shakers, as well as how she embellishes them with various “costumes” such as sprigs and finials. – Jennifer Harnetty, editor.
I love the making forms that go together, like salt and pepper sets, or cups and saucers. It is a fun exercise to come up with forms that relate and fit together, both functionally and aesthetically. If you have never tried it, give it a shot.
To get you inspired, I am presenting a clip from our newest DVD Form, Pattern, and Underglaze: Wheel Throwing and Decorating with Meredith Host. In the clip Meredith explains her method for getting a great fit on stacking cup and saucer sets.
Today, I am presenting some tips from large-pot-potter extraordinaire Nic Collins for upsizing your pots. I liked what Nic had to say here because it addressed some simple, but often overlooked, things to consider before you even put your clay on the wheel. Plus, it includes some great cross-section diagrams that clearly show what should be happening both inside and outside of the pot. Follow these tips and you’ll soon be in charge of the clay!
Not only does Adam Field go over his meticulous carving techniques on his new DVD, Precision Throwing and Intricate Carving, but he also demonstrates his throwing chops on some fantastic forms. But before all of that he gives one of the best cylinder throwing demos I’ve seen. We’ve probably all had this assignment in our beginning wheel throwing class: Throw ten even-walled, 12-inch cylinders. I won’t divulge how long it has been since I had that assignment, but I still got a ton out of this demo. So whether you are struggling with cylinders now, or have been throwing for years, have a look at today’s clip and watch your throwing improve! – Jennifer Harnetty, editor.
In today’s post, Jane Sawyer explains how she throws with extra soft clay and cuts darts during the throwing process to create work that looks fluid even in the finished fired state. She also explains how she uses finger marks through slip to further enhance this effect.
In today’s post Lyla Goldstein takes us step by step through her cup and saucer making process, starting with throwing the pieces on the wheel and finishing with her colored slip and sgraffito decoration (which would also work well with commercial underglazes).