Whiskey bottles are a popular form in a lot of potters’ vocabularies – understandably because whiskey is delicious! But you also need a cup to drink the whiskey from and if you’re like Matt Schiemann, you put just as much thought into the design of your whisky cups as you do the bottle. In today’s post, an excerpt from the July/August 2014 issue of Pottery Making Illustrated, Matt explains how he designs his cups to make the whiskey drinking experience optimal! He also shares his glaze and slip recipes! – Jennifer Harnetty, editor.
It is a lot of fun to use pots to tell stories. It can be even more fun to not only tell a story on the form, but to work the form right into the narrative. That’s just what Courtney Long does with her spouted batter bowls with a puffy cloud-shaped handle and playful slip decoration. In today’s post, she shares how she makes these wheel through pots. – Jennifer Harnetty, editor.
PS. You can see Courtney’s decorating process in the May/June 2014 issue of Pottery Making Illustrated.
In today’s post, an excerpt from his DVD Lively Forms and Expressive Surfaces (which is now shipping by the way!!), Mark Peters shares a new twist that he came up with for faceting pots. By making the cuts while the pot is still cylindrical and adjusting the way the wire moves through the clay, Mark creates an interesting alternative to the typical faceted surface.
Tom Turner considers every detail on his pots, even the underside of lids. Initially, He came up with the flange system he uses to act as a counterweight on teapot lids so they would stay put when pouring tea. But he considered every last detail and realized that these flanges could be enhanced with texture. Now he uses them on all of his lidded pots. In today’s post, an excerpt from his new DVD Tom Turner: Understanding Porcelain (now available in the Ceramic Arts Daily Bookstore), he shares his technique.
In today’s video, Bill van Gilder demonstrates making a lidded jar on the pottery wheel. The beauty of this jar is that you can make the whole thing from just one lump of clay. And less centering is always a good thing, wouldn’t you say?
The key to taking your pots from good to great is careful design (and practice, practice, practice, of course). If you fumble your way through a piece without really thinking it through, well, usually it shows. In today’s video, an excerpt from his DVD Precision Throwing and Intricate Carving, Adam Field explains the design considerations he takes when making one of his cup forms and shows you not only the how, but the why.- Jennifer Harnetty, editor.
When Frank James Fisher noticed a bunch of trim scraps at a local home center, his thoughts immediately went to “clay tool.” Today, Frank explains how he has turned these scraps into handy shaping tools for wheel throwing. Next time you’re at a lumberyard, ask for some of the scraps and try them out
In today’s video post, an excerpt from Assembly Required: Building Complex Pottery Forms by Throwing, Altering, and Assembling, Jake Allee shows us how he darts his pitcher forms and adds a spout, along with a little spunk.