Designing With Texture: Using Textured Plaster Slabs to Incorporate Surface Detail into Pottery in the Design Stage
Today potter Dan Gegen explains how he begins working with texture
before the construction process even begins, and therefore makes it
integral to the design of the pot. He also shares the glaze recipe for the lovely celadon-esque glaze featured on the pot to the left.
In today’s video, Stephani gives some great tips on preparing extruded trim for architectural projects. Even if you don’t have an architectural project in your future, you’ll find some of these tips — like how she “sews” pieces together — quite handy in your regular studio work too.
In today’s post, an excerpt from the September 2011 issue of Ceramics Monthly, Ulrich Schumann talks about his path in ceramics, as well as how he makes his remarkable large-scale work.
Last Friday, I posted a video filmed at a Potters Council conference earlier this year. In the video, Tammy Marinuzzi demonstrated her handbuilding techniques for her figurative functional pottery. Today, I am sharing part two. In this segment, Tammy shows us how she makes the lids for her lidded jars, and how she adds life to the work by adding expressive eyes, noses, and mouths.
Since the mid-1970s, ceramic artist Peter King has been combining his experience in the building industry with his love for clay to make architectural works of art. Many of his projects involve columns like those shown to the left so Peter had to come up with a really great system for making tall, straight-walled cylindrical pieces. The best way Peter has found to do this is by wrapping slabs around cylindrical forms made of plywood and roofing flashing. Today, he explains this method, which allows him to make columns in virtually any height or diameter.
I met Tammy Marinuzzi earlier this year at the Potters Council Surface + Form workshop and had the pleasure of watching her work (and I just happened to catch it on film!). I was so impressed by her relaxed way of working and how she lets these little creatures evolve as they are being formed rather than starting out with a set plan. There was so much good stuff in her process that I couldn’t quite condense it down to one video, so today I will show you part one. Tune in next week for part two!
I’m taking a long overdue day off today, readers. And I plan to spend it in the studio! But I didn’t want to leave you hanging, so I thought I would send out a bonus Monday pottery video. This video comes from CAD reader Patricia Bridges. In the video Patricia makes a slab and coil built pot, which is enhanced by paddled texture. She finishes off with a lovely glaze that enhances the texture. Enjoy and have a good Monday!
In an excerpt from his DVD Get a Handle on It, potter Tony Clennell shares his expert advice on handle pulling. Tony shows us that, with a little practice and patience, great-looking pulled handles are within any potter’s grasp. Watch the video!
I moved late last summer and, lucky for me, the previous owner of my house did a fantastic job planting perennials in our front yard. And because the previous homeowner did all of that landscaping, I now have time to make some home made planters to dress up the front porch. Well, not really, but I’d like to think I have the time. But, since I was thinking about planters, I thought I would share this little video in which Dennise Buckley demonstrates a simple soft slab flower pot. Maybe you’ll find time to make some this summer!
Lately, potter Tracy Gamble has been working on a series of ceramic Nichos (traditional Latin American folk art objects) and discovered that commercial sprig molds are perfect for embellishing them. In today’s post, Bill Jones explains Tracy’s process. I particularly thought of all the teachers out there when I saw this project not only because it is accessible and fun, but because of how nicely it could combine with a social studies or history lesson.