It’s that time of year again. Students and teachers are heading back to school. So we thought we’d have a back-to-school sale on of our most popular DVD for the education set – Neil Patterson’s Clay Projects and Fundamentals. Perhaps the best way to gain an understanding of clay and all it’s properties is to pick up a lump and start shaping it. And modeling clay into the human form is a great way to learn about proportion, symmetry, and gesture. In today’s post, Neil takes us through a simple figure sculpting project. This project also ties in well with history and world cultures lessons.
Texture in clay can be addictive. Who doesn’t love pressing objects into a piece of soft clay? And why stop at the handles? As Annie Chrietzberg demonstrates in today’s post, textured slab handles are a great way to carry texture throughout a piece – plus they are less messy than pulled handles and can provide instant gratification. Have a look!
Nick Ramey started out making high-fire, wheel-thrown pottery, but during graduate school became enamored with handbuilding low-fire earthenware sculptures. After grad school he decided to combine his various new skills and interests to make thrown and altered functional work, but add sculptural details to infuse it with humor. In today’s post, Nick explains his forming process. To learn about his decorating processes, check out the September/October 2012 issue of Pottery Making Illustrated!
Pottery Video of the Week: A Super Easy Way to Get the Pulled Handle Look Without Pulling the Handle
Sandi Pierantozzi demonstrates a couple of variations on her flat pulling handle technique in today’s excerpt from her DVD, which is now available as a digital download! Enjoy!
Bryan Hopkins jokingly refers to his pots as dysfunctional vessels because of their high loss rate. But he says that just comes with the territory when your goal is to push the material to its limits. In today’s post, an excerpt from an upcoming article in Ceramics Monthly, Hopkins explains his process, which includes throwing posts on the wheel, cutting them into slab sections, pressing some of the sections into bisque molds, then putting all back together in interesting constructions.
Pottery Video of the Week: The Puffy Handle – Sandi Pierantozzi Demonstrates a Great Alternative to a Pulled Handle
Pulled handles are lovely, but they are not the only option for creating great handles on your pottery. With a little imagination and skill, you can make successful handles in a multitude of ways. Our good friend Sandi Pierantozzi, who is not lacking in the imagination or the skills department, returns today with a great idea for an alternative to the pulled handle. In this clip, Sandi shares the technique for making her “puffy” handles. Enjoy!
Today, Charlie Tefft explains how he throws and alters his “wren” pitchers.
In today’s post, an excerpt from his book From a Slab of Clay, Daryl Baird explains how to make templates and use them to create slab-built bowls. A great benefit of this is that if you make them with a sturdy material like card stock or laminated paper, you can use them over and over.
In this clip, Joyce Michaud demonstrates the traditional east Asian coil technique, which combines coiling with potter’s wheel concepts. Joyce shows us how to “hand throw” with the grace and fliudity of someone who has been doing this for a long time. During this demonstration, she explains how this method can make work more structurally sound because it compresses and aligns the clay particles with the form, which can then open the doors for trying new and more-challenging forms. Along the way, she passes on great tips such as a cool way to establish a concave foot on a coil-built piece.
Refining a process often leads the way to artistic and financial success. For Larry Elardo, developing a more effective method for creating his highly-textured containers posed an interesting challenge. By experimenting with different methods, and using engineering tools to assist him, Larry found that handbuilding upside down, combining slab and coil methods, and beveling edges considerably reduced the time he spends making each creation.