Many studio potters consider it cheating to use commercial products (molds, glazes, etc) in their work, but to me, nothing should be off limits! Kate Maury agrees and makes gorgeous functional work that looks more like sculpture. She does this using commercially made sprigs and clay sprigs made from found objects. In today’s post, she shares tips for working with, as well as storing, these sprigs. – Jennifer Harnetty, editor.
PS: To see Kate’s process for making a candle holder using sprigs, buy a back issue PDF of the January/February 2014 Pottery Making Illustrated.
In today’s post, Deborah Schwartzkopf, a master at designing beautiful non-round functional pottery, shows us how she makes her dessert bowls. The clip is an excerpt from her utterly inspiring new DVD Pieces and Patterns: Complex Forms from Handbuilt and Wheel-Thrown Parts, which is now shipping!! Enjoy!
Pottery Video of the Week: A Super Easy Way to Get the Pulled Handle Look Without Pulling the Handle
Sandi Pierantozzi demonstrates a couple of variations on her flat pulling handle technique in today’s excerpt from her DVD, which is now available as a digital download! Enjoy!
Bryan Hopkins jokingly refers to his pots as dysfunctional vessels because of their high loss rate. But he says that just comes with the territory when your goal is to push the material to its limits. In today’s post, an excerpt from an upcoming article in Ceramics Monthly, Hopkins explains his process, which includes throwing posts on the wheel, cutting them into slab sections, pressing some of the sections into bisque molds, then putting all back together in interesting constructions.
In today’s post, an excerpt from his book From a Slab of Clay, Daryl Baird explains how to make templates and use them to create slab-built bowls. A great benefit of this is that if you make them with a sturdy material like card stock or laminated paper, you can use them over and over.
In today’s post, Jerilyn explains how she uses double-walled construction to create the beautiful forms shown here. She also shares her firing schedule.
Today’s post combines two great things: clay and music. In an excerpt from Barry Hall’s From Mud to Music, you’ll learn how to make a clay whistle flute step by step.
I have not done much darting in my work, and the times that I have, haven’t really been too successful. I think it’s because I have been to wimpy with my darts. In today’s video, Suze Lindsay walks through her darting process on a gravy boat, and explains that in order to be really successful with darting, you have to get over your fears of cutting too much. Plus, she shows how she pulls a handle off the pot. – Jennifer Harnetty, editor.