I first saw (and held) Birdie Boone’s belly-bottomed pots at an NCECA exhibition a couple of years ago, and I absolutely fell in love with them. Not only were the soft subtle colors contrasting with red clay body beautiful, but they felt so good in my hand because of the rounded bottom. In today’s post, Birdie explains the handbuilding techniques she developed for these pots, and the smart way she fires them to avoid slumping. – Jennifer Harnetty, editor.
When I first saw Blair Clemo’s work, I figured the ornate surfaces were developed with sprigs that were attached after the pieces were thrown. In fact, the ornamental elements are a part of the structure of the pieces. In today’s post, Blair explains how he handbuilds with decorative sprigs and forming molds, and then finishes them off on the wheel. Ps. Next week, Blair is coming to town to film a how-to video of this interesting process!- Jennifer Harnetty, editor.
In Today’s post, Shoko Teruyama explains how she creates her forms using coils and slabs over bisque molds. Plus she shares how she coats her pieces with slips and carves intricate drawings into them revealing the red earthenware clay underneath.
Today, in an excerpt from the November/December 2010 issue of Pottery Making Illustrated, Arthur Halversen takes us through the coil building process he uses to construct his flower brick forms. He also shares his recipe for the frosting-like glaze he uses – the icing on the cake, as they say. – Jennifer Harnetty, editor.
Slump molds are great tools in handbuilding because they allow you to dream up whatever shape you want and allow you to repeat it many times. They can be made from a wide variety of materials – from found objects to plaster. Plywood is Joe Singewald’s slump mold material of choice. In today’s post, he explains how he uses plywood to make his signature clover bowls.- Jennifer Harnetty, editor.
Learning to play in the studio can have its rewards, especially when new and unique forms are discovered. As is evident in her work, Chandra DeBuse embraces play in the studio. How else could she create such fun pieces? In today’s post, an excerpt from the hot off the presses November/December 2013 issue of Pottery Making Illustrated, she shares the process for making one of her “Treat Servers.” I especially love the ingenious use of craft foam as a template! So smart. – Jennifer Harnetty, editor.
Scott Dooley’s work looks to be anything but simple, with its wild angles and off-kilter shapes. But if you break it down to the basics, you learn that it is just made up of a lot of simple parts. In today’s video clip, an excerpt from his new DVD Handbuilding Modular Forms with Stiff Slabs, Scott demonstrates how he makes the building blocks of his sculptural vessels and the tools he has come up with along the way to make his process easier. With these tips, all you need is some imagination to develop interesting hand built pottery of your own. – Jennifer Harnetty, editor.
Today, in a clip from his full-length DVD, Get a Handle On It, Tony Clennell demonstrates a couple of great methods for making attractive coil-built handles for functional pottery.