Lana Wilson is known for her textured surfaces and she has some pretty fun ways of coming up with said texture. Take for example her “drop technique tiles.” Looking at these, it is a little bit difficult to figure out exactly how the soft-edged texture was created. The good thing is, in today’s post, an excerpt from her new DVD Handbuilding with Color and Texture, Lana demonstrates this unusual technique!– Jennifer Harnetty, editor.
Sprigging is a great way to add low relief texture onto pottery forms. But putting sprigs on top of a surface is just one thing you can do with sprigs. What about putting sprigs INTO a surface? In today’s post, and excerpt from the completely revised and expanded Electric Kiln Ceramics, Frederick Bartolovic explains how you can roll sprigs right into slabs of a different colored clay body (you can color clay with mason stains, or use two different clay bodies) for a completely different sprigged effect.- Jennifer Harnetty, editor.
Slump molds are great for making plates since you can just drop the slab into the mold and not worry about it shrinking around it. They are even better when they are your own homemade mold. In today’s post, an excerpt from Platters: Four Approaches to Making and Decorating Plates, Ben Carter shares some tips on using an easy-to-make slump mold to make a large oval platter.
Pulling handles can be a challenging skill to master. It can be a little intimidating to try to pull them directly off the pot, but trying to transfer a handle to a pot after pulling it separately is also a challenge.
That’s why I really liked Paul Donnelly’s approach to handle making. Paul does very little pulling and does most of the shaping ahead of time. Then he lets the handles sit flat overnight. A little water rehydrates them the next day and they are ready for attaching. All of this helps Paul to make very tight, refined handles. Have a look at this excerpt from his new video! – Jennifer Harnetty, editor.
In today’s video clip, an excerpt from our latest DVD project, Clay Projects and Fundamentals: A Resource for Aspiring Clay Artists and Teachers, Neil Patterson demonstrates a stiff slab vase project. He also gives great tips for working with paper to come up with interesting designs.
I keep a lot of things in my studio that I think may one day be useful for texture or as a tool of some sort. I also cannot bring myself to throw any kind of wood in the garbage. I have a scrap collection that would be the envy of many a woodchuck. The other day, these two passions (let’s just call them passions for now) came together in a very useful way. I ran out to the garage and gathered every single dowel scrap I had and transfered them to the studio, thereby fulfilling both obsessive habits (okay, let’s call them what they really are). The reason I did this was because I watched the DVD Handbuilding with Mitch Lyons. He demonstrated a method for making cylinders that employed these dowels, and then went on to explore wonderful surface inlay and texture treatments that really got me excited about handbuilding again. And I got to use some of my scrap wood! — Sherman Hall, Ceramic Arts Daily
Most people think of sprig molds as press-molded decorative elements that are affixed to work, but Blair Clemo uses sprigs as part of his construction process. Blair started off working this way by experimenting with sprig molds he made from found objects. Then he decided to make his own custom sprigs.
In this clip from his new video Simply Ornate: Handbuilding and Wheel Throwing with Press Molds, Blair shares how he makes these fairly complex-looking sprigs with a process that is actually quite simple. – Jennifer Harnetty, editor.
PS. To see how Blair uses these strip sprig molds, check out this video!
If you’ve been stuck in the studio lately, the latest DVD in our Ceramic Arts Daily Presents DVD series might be the ticket to get you unstuck. In today’s excerpt from What if? Explorations with Texture and Soft Slabs, Sandi Pierantozzi demonstrates making a tripod pot, a simple, yet elegant, vessel.
Want to make quick work of multiple, handbuilt plate forms? Try Styrofoam rings found in most craft supply stores (for wreath making), They’re inexpensive, lightweight, and easy to store.
In today’s post, an excerpt from the February 2015 issue of Ceramics Monthly, Nancy Gallagher explains this great plate-making system. – Jennifer Harnetty, editor.