Slump molds are great tools in handbuilding because they allow you to dream up whatever shape you want and allow you to repeat it many times. They can be made from a wide variety of materials – from found objects to plaster. Plywood is Joe Singewald’s slump mold material of choice. In today’s post, he explains how he uses plywood to make his signature clover bowls.- Jennifer Harnetty, editor.
Learning to play in the studio can have its rewards, especially when new and unique forms are discovered. As is evident in her work, Chandra DeBuse embraces play in the studio. How else could she create such fun pieces? In today’s post, an excerpt from the hot off the presses November/December 2013 issue of Pottery Making Illustrated, she shares the process for making one of her “Treat Servers.” I especially love the ingenious use of craft foam as a template! So smart. - Jennifer Harnetty, editor.
Scott Dooley’s work looks to be anything but simple, with its wild angles and off-kilter shapes. But if you break it down to the basics, you learn that it is just made up of a lot of simple parts. In today’s video clip, an excerpt from his new DVD Handbuilding Modular Forms with Stiff Slabs, Scott demonstrates how he makes the building blocks of his sculptural vessels and the tools he has come up with along the way to make his process easier. With these tips, all you need is some imagination to develop interesting hand built pottery of your own. – Jennifer Harnetty, editor.
Today, in a clip from his full-length DVD, Get a Handle On It, Tony Clennell demonstrates a couple of great methods for making attractive coil-built handles for functional pottery.
I find it challenging to go from a flat slab of clay to a functional vessel (probably explains why I mostly throw). It is just hard to picture what a two-dimensional shape is going to do when it’s folded into a three dimensional shape. So I loved this little explanation by Sandi Pierantozzi. In this clip from her best selling DVD What if? Explorations with Texture and Soft Slabs, Sandi shares her “circular logic” and shows you how to turn it into a nice little bowl. – Jennifer Harnetty, editor.
My son starts kindergarten this year (how could that possibly be?!), so the rapid pace at which this summer is flying by is on my mind quite a bit. This might also be the case for all of those school teachers out there.So, today I thought I’d share a project that would work great as a lesson plan. It would also work great for all of you non teachers who are just looking for new ways to streamline your processes in the studio.For more help with lesson planning, take advantage of our Back to School Sale on Neil Patterson’s DVD Clay Projects and Fundamentals.- Jennifer Harnetty, editor.
Summer is the time that educators regroup and plan for the upcoming school year. So today, I thought I would share a cool project that would make a great lesson plan. In this post, Yoko Sekino Bove shares her 30-Minute Teapot lesson. The beauty of this lesson plan for teachers is that it can be made in one class period. If you’re not a teacher, it’s a fun little project to experiment with if you’re needing a break from your usual routine. – Jennifer Harnetty, editor.
Looking at the finished product of this project, it is obvious that it was slab built, but maybe not so obvious that it was made from just one slab. I would have guessed that the handles were added. But it is just a one-slab project. In today’s post, an excerpt from the July/August 2013 issue of Pottery Making Illustrated, Glenn Woods explains this fun project. – Jennifer Harnetty, editor.
The handle on my Mike Jabbur coffee mug is one of my absolute favorites in my collection. The ear-shaped curve at the top of the handle is just perfect for my fingers to comfortably nestle into, and is now a shape I seek out in a handle…and something I have been incorporating into my own work. It’s these details that make all of the difference. In today’s clip, an excerpt from his new DVD Precise Imprecision: Strengthening Throwing Skills to Create Dynamic Functional Pottery, Mike demonstrates his handle making process and discusses the details he considers to make them function well.