Today, in a clip from his full-length DVD, Get a Handle On It, Tony Clennell demonstrates a couple of great methods for making attractive coil-built handles for functional pottery.
I find it challenging to go from a flat slab of clay to a functional vessel (probably explains why I mostly throw). It is just hard to picture what a two-dimensional shape is going to do when it’s folded into a three dimensional shape. So I loved this little explanation by Sandi Pierantozzi. In this clip from her best selling DVD What if? Explorations with Texture and Soft Slabs, Sandi shares her “circular logic” and shows you how to turn it into a nice little bowl. – Jennifer Harnetty, editor.
My son starts kindergarten this year (how could that possibly be?!), so the rapid pace at which this summer is flying by is on my mind quite a bit. This might also be the case for all of those school teachers out there.So, today I thought I’d share a project that would work great as a lesson plan. It would also work great for all of you non teachers who are just looking for new ways to streamline your processes in the studio.For more help with lesson planning, take advantage of our Back to School Sale on Neil Patterson’s DVD Clay Projects and Fundamentals.- Jennifer Harnetty, editor.
Summer is the time that educators regroup and plan for the upcoming school year. So today, I thought I would share a cool project that would make a great lesson plan. In this post, Yoko Sekino Bove shares her 30-Minute Teapot lesson. The beauty of this lesson plan for teachers is that it can be made in one class period. If you’re not a teacher, it’s a fun little project to experiment with if you’re needing a break from your usual routine. – Jennifer Harnetty, editor.
Looking at the finished product of this project, it is obvious that it was slab built, but maybe not so obvious that it was made from just one slab. I would have guessed that the handles were added. But it is just a one-slab project. In today’s post, an excerpt from the July/August 2013 issue of Pottery Making Illustrated, Glenn Woods explains this fun project. – Jennifer Harnetty, editor.
The handle on my Mike Jabbur coffee mug is one of my absolute favorites in my collection. The ear-shaped curve at the top of the handle is just perfect for my fingers to comfortably nestle into, and is now a shape I seek out in a handle…and something I have been incorporating into my own work. It’s these details that make all of the difference. In today’s clip, an excerpt from his new DVD Precise Imprecision: Strengthening Throwing Skills to Create Dynamic Functional Pottery, Mike demonstrates his handle making process and discusses the details he considers to make them function well.
Handles can be the bane of a potters existence – at least they are for me a lot of the time. So I am always happy when I learn new ways of approaching them. Today, in an excerpt from Gail Kendall’s new DVD Slab and Coil Building (which debuts today in the Ceramic Arts Daily Bookstore!) Gail shows us three great handle techniques. This DVD was so fun to watch because Gail has such a good sense of what her material can and cannot do. She definitely has me inspired to try her slab/coil techniques – and this clip in particular has cured my “handle block.”
Historically, I have been more of a thrower than a handbuilder. I love handbuilt pots, but haven’t quite gotten there with my handbuilding. One thing I have struggled with is coming up with attractive feet on slabbuilt vessels and platters. But Suze Lindsay’s new DVD gave me some good ideas to play with. In today’s video, Suze shares a couple of great little techniques for added feet. Have a look! – Jennifer Harnetty, editor.
The pinch pot is the most elemental of pottery forms requiring simply one’s hands and a lump of clay. Because of this, it is often the first technique most of us learn when introduced to clay. But that doesn’t mean it is merely a beginner technique. Many artists use pinching techniques to make sophisticated or complex forms. Lily Zuckerman makes beautiful vessels starting from a solid lump of clay, with no clay added and very little cut away. In today’s post, she explains her process. – Jennifer Harnetty, editor.