Looking for some interesting new ideas for the teapot form? Today we’ll show you how potter Ray Bub throws and assembles teapots that would make Picasso proud.
Today, we’ll explain how ceramic artist Eva Kwong uses slabs, coils and other handbuilding techniques to make her biologically influenced ceramic sculptures.
In the upcoming April issue of Ceramics Monthly there is a full-length feature article on potter Liz Zlot Summerfield. Today, we’ll give you a sneak peek of the work you can expect to see in the article and share a little bit of Liz’s handbuilding process.
Today’s video features potter Jeffrey Nichols demonstrating a great technique for a handbuilt teapot spout. In addition to the technique, Jeffrey discusses and gives pointers on what makes a teapot spout function properly.
I keep a lot of things in my studio that I think may one day be useful for texture or as a tool of some sort. I also cannot bring myself to throw any kind of wood in the garbage. I have a scrap collection that would be the envy of many a woodchuck. The other day, these two passions (let’s just call them passions for now) came together in a very useful way. I ran out to the garage and gathered every single dowel scrap I had and transfered them to the studio, thereby fulfilling both obsessive habits (okay, let’s call them what they really are). The reason I did this was because I watched the DVD Handbuilding with Mitch Lyons. He demonstrated a method for making cylinders that employed these dowels, and then went on to explore wonderful surface inlay and texture treatments that really got me excited about handbuilding again. And I got to use some of my scrap wood! — Sherman Hall, Ceramic Arts Daily
Sometimes, when I’m really on a roll in the studio, I find it difficult to be patient and let the work dictate the pace of the process. If it’s not ready to be trimmed, and I go ahead and trim it while it’s too soft, I pay the price in deformation or S-cracks after firing (from not compressing during trimming). The same can be true with drying. Rushing the process is almost never good. Luckily, it’s not difficult to dry your work evenly—assuming you can make yourself leave it alone. In today’s feature, Snail Scott walks us through the basics of drying and some simple ways to ensure success.
If anyone was looking for proof that ceramics really does cross over into all sorts of creative endeavors, this week’s video is that proof of that assertion. Barbara Hanselman demonstrates how to make hollow clay beads using a few dowels, a small amount of clay, simple tools and a bit of imagination. Even if you don’t want to make beads, this is a great technique. I first saw Mitch Lyons use it (watch for his video coming soon) to make full-size vessels. So give this technique a try and let us know what you come up with!— Sherman Hall, Ceramic Arts Daily
Ceramic Handbuilding Video: Get Into the Artist’s Head – An Interview with Ceramic Sculptor Tom Bartel
Today we are trying something a little different with our video of the week. We are featuring an interview with ceramic sculptor Tom Bartel, who is exhibiting his new body of work at Sherrie Gallerie in Columbus, Ohio. The interview also features a short demonstration of Tom’s handbuilding techniques. We thought this would be a great way to not only let those outside of the Central Ohio area experience this fantastic exhibition, but also, to get to know the artist, his motivations and processes. Hope you enjoy it! – Jennifer Harnetty, editor.
In addition to what is covered in the video, we have included some more information on Tom’s processes and some of his glaze recipes as a free download below.
One of the challenges of working with clay is timing, especially when constructing a complex sculptural form. Making sure that all components are at the appropriate moisture and stiffness level when joining pieces is one of the key considerations that sculptors must address. Sculptor Mark Gordon has adapted a technique he first observed being practiced by traditional Egyptian brick makers for his ceramic sculpture. The technique is a sure-fire and simple way to securely attach bone-dry greenware to bone-dry greenware.
In her latest body of work, Elaine Parks has been experimenting with puncturing clay slabs as a nod to the shapes she sees in the landscape around her, from pores in a rock to scar holes from mining, which are prevalent in the area. Today, she shares her slab building process and how she has perfected her perforations.