Pottery Video of the Week: The Puffy Handle – Sandi Pierantozzi Demonstrates a Great Alternative to a Pulled Handle
Pulled handles are lovely, but they are not the only option for creating great handles on your pottery. With a little imagination and skill, you can make successful handles in a multitude of ways. Our good friend Sandi Pierantozzi, who is not lacking in the imagination or the skills department, returns today with a great idea for an alternative to the pulled handle. In this clip, Sandi shares the technique for making her “puffy” handles. Enjoy!
The handle on my Mike Jabbur coffee mug is one of my absolute favorites in my collection. The ear-shaped curve at the top of the handle is just perfect for my fingers to comfortably nestle into, and is now a shape I seek out in a handle…and something I have been incorporating into my own work. It’s these details that make all of the difference. In today’s clip, an excerpt from his new DVD Precise Imprecision: Strengthening Throwing Skills to Create Dynamic Functional Pottery, Mike demonstrates his handle making process and discusses the details he considers to make them function well.
Nesting bowls are a project I have been meaning to take on for a while. I’ve always wanted to make a set of bowls that fit nicely together like Matryoshka nesting dolls. So, I’ve been trying to figure out the best approach – handbuilt or wheel thrown. After seeing Courtney Murphy’s nifty method for making nesting bowls, which I am sharing in today’s post, I am leaning toward handbuilding. See what you think!
Combining multiple bisque molds to create stacked pots is a really fun way to explore form. A bonus is that you can stack the molds themselves before you even start on a piece to test out which forms work and which don’t. And once you have a good collection of molds in your arsenal, the possibilities for stacked combinations are practically limitless. Kari Radasch loves this way of working because it keeps her from getting bored in the studio, and it is a relatively quick way to work (good for a busy mom of two young children). In today’s post, an excerpt from her brand new video Low-Tech Clay: High End Results, Kari demonstrates one of her stacked dishes.
With their delicate undulating rims, Cheryl Malone’s seemingly paper-thin vases bear a striking resemblance to flower petals. No surprise since Cheryl is inspired by the growth patterns of plants and their similarities to the coil building process. To pull off such petal thin work through the coil/pinch process takes practice, and in an excerpt from our new release Handbuiling Techniques, Cheryl shares her secrets to making it happen. – Jennifer Harnetty, editor.
If you are someone who likes to combine throwing and handbuilding to make interesting forms, today’s video is for you. In this clip from Deborah Schwartzkopf’s Pieces and Patterns: Complex Forms from Handbuilt and Wheel-Thrown Parts, she demonstrates how she makes the super cool bottoms of her cup forms with a slab and a bisque fired mold. She then skillfully attaches the base to a bottomless wheel-thrown cylinder, which she then darts and alters to make the shape just right. The best part about this is that once you make the bisque mold for the recessed foot, you can repeat it over and over again!
Lana Wilson is known for her textured surfaces and she has some pretty fun ways of coming up with said texture. Take for example her “drop technique tiles.” Looking at these, it is a little bit difficult to figure out exactly how the soft-edged texture was created. The good thing is, in today’s post, an excerpt from her new DVD Handbuilding with Color and Texture, Lana demonstrates this unusual technique!– Jennifer Harnetty, editor.
Sprigging is a great way to add low relief texture onto pottery forms. But putting sprigs on top of a surface is just one thing you can do with sprigs. What about putting sprigs INTO a surface? In today’s post, and excerpt from the completely revised and expanded Electric Kiln Ceramics, Frederick Bartolovic explains how you can roll sprigs right into slabs of a different colored clay body (you can color clay with mason stains, or use two different clay bodies) for a completely different sprigged effect.- Jennifer Harnetty, editor.