Many people know that a microwave oven can be used to dry clay quickly when you’re in a pinch. Dielectric heating (the type used in a microwave oven) is also used in industry to fire ceramics for high-tech applications. This option is also available on a small scale to the studio potter, at least for firing tests and small objects using a microwave kiln. In today’s post, an excerpt from our latest free download the 2011 Buyers Guide to Ceramic Arts Supplies: A Studio Reference for Purchasing and Using Ceramic Supplies and Pottery Tools, Jessica Knapp tells you all about this alternate use for old microwaves!
I admit it. I completely lack the patience (and, since I am being honest here, I might as well just say it: skill!) to do detailed drawn decoration on my pots, so I am really awed when I see other potters pulling off intricate imagery. Such was the case when I saw Terri Kern’s work in the November 2010 issue of Ceramics Monthly. Today, I am sharing that recent Ceramics Monthly article so that you can all share my awe.
After participating in a workshop of hers many moons ago, I was excited to reunite with Kathy King at the Potters Council Splendid Surfaces Conference and shoot some video of her presenting some tips and techniques for successful sgraffito. Today, lucky readers, I am presenting that video. So have a look, get out some sharp tools, and start scratching!
I can hardly contain my excitement because today, we are announcing our new DVD series! We started this video series with the goal of helping you gain more access to instruction on a wide variety of techniques from top-notch artists. Our first title, Screen Printing on Clay with Paul Andrew Wandless, is now heading off to the replication company! And today, I am happy to present an excerpt from it in which Paul demonstrates how to use screen block and screen filler to make hand-drawn silk screens for printing on clay. Watch the video!
There are many, many ways to put lines onto posts – carving, fluting, painting, drawing – but, I have to say, I had never seen anyone doing it quite like Jeff Campana. Jeff takes his well-thrown porcelain pots, chops them up into pieces, and then reassembles them. Then to top it all off, he uses glazes that pool in the seams. Today, Jeff shares his technique and how he arrived at such a labor intensive process in the first place.
In today’s video, Tom Shafer demonstrates five different decorating techniques with colored clay slip. If you’ve grown tired of working only with glazes, these tips are a surefire way to wake up your surfaces.
Today, Frank James Fisher takes us through the process of creating a stamp-textured bottle form out of very thin porcelain slabs. He not only gives insight into effectively using stamps, but he also gives some great tips for success with super thin slabs.
The Irresistible Surface: Layering Glazes and Trapping Carbon to Create Loosely Geometric Repeating Patterns
Peter Karner developed his surface decoration through years of trial and error and he continues to try new things so that his surfaces continue to evolve. In today’s post, Peter explains how intuition combined with experimentation helped him perfect his beautiful glaze surfaces. Plus he details how he uses wax resist and layers of five different glazes to develop his gorgeous glaze patterning.
Pottery Decorating Video: What a Stretch! How to Use Sodium Silicate to Create Crackled Texture on Pottery Surfaces
In today’s video, potters Don Ellis and Randy Brodnax demonstrate a couple of variations on the same technique in tandem. The technique involves using sodium silicate and a heat gun to quickly harden the outside surface of a freshly thrown pot. Then the pot can be stretched from the inside, creating a lovely cracked texture on the surface.
In today’s post, Allistair and Sally MacDonnell show us how easy it is to make plaster press molds to make a series of brooches. Plus they explain how they use stamps to texture each slab before molding it into the shape they want.