In today’s pottery video, an excerpt from the forthcoming DVD New Directions in China Painting, Paul Lewing demonstrates a technique for creating a bamboo painting with a sumi brush.
Today I’m sharing a clip from Robin Hopper’s new DVD Inspiration and Interpretation, in which he demonstrates a couple of painting techniques on this porcelain substrates (an industry cast off). Enjoy and have a nice weekend! – Jennifer Harnetty, editor.
Pottery Video of the Week: A Potter Uses Texture and Flowing Glazes to Make Teapots with Splendid Surfaces
A few months back, I attended the Potters Council Splendid Surfaces
Conference in Indianapolis, Indiana, and got some fabulous footage of
some great artists demonstrating their techniques. Today I am
going to share one with you, faithful readers. It features potter Fong
Choo sharing some of his texture and glazing techniques for his tiny
teapots. Enjoy and Happy Friday!
In today’s post, Robin Hopper presents a possible solution for those who want to paint, but would like to incorporate marks that can only be made by the magic of the kiln. Robin has been experimenting with painting on substrates, high-tech, porcelain-like, super-thin, pre-fired sheets of mostly alumina that were developed for use in the automotive, electronic, avionics, medical, and military fields. Working with cast-offs from industry, Robin has found that the material is affordable and has been giving him terrific results. Plus, he is making something beautiful from would-be landfill fodder.
Grout does not just have to be a practical element in tile work. With a wide range of premixed grout colors available, it can also be used to aesthetically enhance a single tile or an entire tile mural. By strengthening the weight of a line or adding a weathered patina, grout can really become an integral part of the decorative process. Today, Laura Reutter demonstrates how grout can be used in this way. She also gives some great advice for press molding and drying tiles without warping.
In today’s video, Rene Murray, a presenter at the upcoming Potters Council Conference Surface + Form, demonstrates her twist on inlaying contrasting clay bodies into one another for graphical surface decoration. One of the things I really liked in Rene’s video was the idea of laying down an picture plain of color before laying down imagery. I just really loved the irregular edges of the plain of color and how it set off the picture. I also loved her spontaneity – something I struggle with in the studio. Hope you like it too! – Jennifer Harnetty, editor.
Layers of Color: Using Different Colors of Casting Slip, Resist Patterns and Decals to Create Graphical Pottery Surfaces
Today, Andrew Gilliatt explains how he arrives at his super fun surfaces by adding color in stages with colored casting slip, glaze, and decals. Plus, he shares his casting slip and a couple of glaze recipes!
This past summer, I had the pleasure of spending a couple of days with Paul Andrew Wandless to film an instructional DVD on screenprinting on clay. In any video production, there are inevitably parts that get left on the cutting room floor. But lucky for us, they don’t have to be lost forever because we can share them on Ceramic Arts Daily – which is what I will do today. In this clip, Paul demonstrates how screens and stencils can be layered to add more impact to an image.
Many people know that a microwave oven can be used to dry clay quickly when you’re in a pinch. Dielectric heating (the type used in a microwave oven) is also used in industry to fire ceramics for high-tech applications. This option is also available on a small scale to the studio potter, at least for firing tests and small objects using a microwave kiln. In today’s post, an excerpt from our latest free download the 2011 Buyers Guide to Ceramic Arts Supplies: A Studio Reference for Purchasing and Using Ceramic Supplies and Pottery Tools, Jessica Knapp tells you all about this alternate use for old microwaves!
I admit it. I completely lack the patience (and, since I am being honest here, I might as well just say it: skill!) to do detailed drawn decoration on my pots, so I am really awed when I see other potters pulling off intricate imagery. Such was the case when I saw Terri Kern’s work in the November 2010 issue of Ceramics Monthly. Today, I am sharing that recent Ceramics Monthly article so that you can all share my awe.