In today’s post, Denise Wilz demonstrates how she makes pottery in the Pennsylvania Redware style – one of the oldest pottery techniques in the United States and it combines sgraffito and slip decoration. Enjoy!
In today’s post, an excerpt from his DVD Slabs, Templates, Texture, and Terra Sigillata, Jeremy demonstrates the mixing and decanting process for terra sigillata and shares the terra sig recipe he uses. Plus, he demonstrates how to test sig for specific gravity to make sure you get it just right.
Pottery Decorating Video: Using Fiber, Slip and Soft Clay to Make Beautiful Marks on Pottery and Ceramic Sculpture
In this clip, Robin goes over a couple of surface decoration techniques; one involving clay slip and fiber, and the other involving soft clay. As usual, Robin provides an excellent, clear explanation of these nifty little techniques and should inspire you to go directly to your studio at the first opportunity!
Bonus Monday Pottery Video: Screen Printing Colored Slips Onto Newsprint to Make Monoprints on Pottery, Part II
As I promised on Friday, we are showing part two of Jason Bige Burnett’s screen printing/monoprinting video today. Thanks to all of you for waiting patiently all weekend to see i! Happy Monday!
Pottery Video of the Week: Screen Printing Colored Slips Onto Newsprint to Make Monoprints on Pottery
Today’s video is the first installment of a two-part video. In this one, Jason shows us how he screen prints imagery onto newsprint. On Monday, we’ll show the other half in which Jason shows us how he then gets that imagery off of the newsprint and onto the clay.
In today’s post, an excerpt from the November/December 2009 issue of Pottery Making Illustrated, Molly Hatch explains how she uses image transfer and Mishima techniques to create her drawings in clay. Plus she shares her slip and engobe recipes.
The Perfect Cure for Cabin Fever: A Potter Shares a Cool Technique for Making Texture Stamps with Natural Objects
Woodstock, New York, ceramic artist Meg Oliver make simple plaster texture stamps out of found objects. To make the stamps she uses to create texture on her pottery, Meg usually takes a nice walk in the woods and picks up objects that will make interesting marks in clay . Then, she uses pinch pots and plaster to transform them into fun, free-form stamps. I thought this would be a great project for spring!
I have found another variation on Mishima that I just had to share today. In this post, ceramic artist Steven Young Lee explains the Mishima variation that works best for his work. Instead of working with leather hard clay, Lee lays a thick coating of slip onto bisqueware and then scrapes it off with a metal rib.
In today’s post, an excerpt from our newly updated free download Five Great Pottery Decorating Techniques: A How-to Guide for Decorating Ceramics with Slip Transfers, Chinese Brush Techniques, Ceramic Slip, Sgraffito, and More, he describes the tools and techniques he uses to re-create one of Mother Nature’s most distinctive textures.
When many potters or ceramic artists think of slip, they think of it as the “glue” that is used to attach one piece of clay to another. But slip is one of those ceramic items that has many different functions – from slipping and scoring, to slip casting forms to decorating, slip is an essential tool for the pottery studio.