In today’s post, an excerpt from the May/June 2012 issue of Pottery Making Illustrated, Kip O’Krongly demonstrates how she uses those stencils, along with slips and sgraffito to make powerful pots that explore our relationship with our food system.
In today’s post, an excerpt from the November/December 2009 issue of Pottery Making Illustrated, Molly Hatch explains how she uses image transfer and Mishima techniques to create her drawings in clay. Plus she shares her slip and engobe recipes.
The Perfect Cure for Cabin Fever: A Potter Shares a Cool Technique for Making Texture Stamps with Natural Objects
Woodstock, New York, ceramic artist Meg Oliver make simple plaster texture stamps out of found objects. To make the stamps she uses to create texture on her pottery, Meg usually takes a nice walk in the woods and picks up objects that will make interesting marks in clay . Then, she uses pinch pots and plaster to transform them into fun, free-form stamps. I thought this would be a great project for spring!
I have found another variation on Mishima that I just had to share today. In this post, ceramic artist Steven Young Lee explains the Mishima variation that works best for his work. Instead of working with leather hard clay, Lee lays a thick coating of slip onto bisqueware and then scrapes it off with a metal rib.
In today’s post, an excerpt from our newly updated free download Five Great Pottery Decorating Techniques: A How-to Guide for Decorating Ceramics with Slip Transfers, Chinese Brush Techniques, Ceramic Slip, Sgraffito, and More, he describes the tools and techniques he uses to re-create one of Mother Nature’s most distinctive textures.
One of my favorite handmade texture tools that Amy Sanders demonstrates on the DVD we filmed this past summer is what I like to call her “rolly line tools.” In today’s video, an excerpt from that technique-packed DVD, Amy demonstrates how to make and use these tools. So Simple, so smart.
When many potters or ceramic artists think of slip, they think of it as the “glue” that is used to attach one piece of clay to another. But slip is one of those ceramic items that has many different functions – from slipping and scoring, to slip casting forms to decorating, slip is an essential tool for the pottery studio.
Terra sigillata means ‘sealed earth’ and comes from the name of a type of Roman pottery mass-produced around the first century AD. But the Romans copied the Greek technique used in their famous black and red pottery for hundreds of years before that. Here is a complete guide to making and applying terra sigillata, recipes, and troubleshooting.
Slip, glorious slip. This versatile liquid form of clay can be used in a multitude of different ways to create and embellish ceramic art. One such method involves using colored slips to create a marbleized look on pottery, which is reminiscent of Staffordshire-style English marbled slipware. In today’s post, Michelle Erickson and Robert Hunter demonstrate this process..
Volumetric Image Transfer: Using Newspaper and Screenprinted Slip to Make Gorgeous Patterned Surfaces
Forrest Lesch-Middleton was interested in all-over pattern on his pottery forms, so he tried screenprinting his patterns onto a flat surface (newsprint) and then transferring the design to a straight-sided cylinder. After that he shapes the pots into the volumetric shapes he wants from the inside out. Works like a charm! In today’s post, Forrest gives a detailed description of his process.