An interest in architecture and geometric design combine in the forms and surfaces of Matt Repsher’s vessels, jars, mugs, bowls, and sculptures. From the choice of clay — a red bricklike body — to the carved ornamentation, Repsher gives a nod to these influences. In today’s post, an excerpt from the October 2013 issue of Ceramics Monthly, Matt explains his process for carving and decorating his surfaces with slip.- Jennifer Harnetty, editor.
Bakersville, North Carolina, is a pretty idyllic place, especially if you are a potter. Not only is there a big clay community, but there is breathtaking beauty all around from which to draw inspiration, and most of the potters I’ve met there work in studios that take advantage of those views. Suze Lindsay is one of those potters. Her studio backs up to a beautiful forest, and the critters in that forest have no doubt made their way into her pottery. In today’s post, an excerpt from her DVD Pouring Vessels: Making and Decorating Expressive Functional Pottery, Suze shows us how she decorates one of her animated bird-inspired pitchers. – Jennifer Harnetty, editor.
Amy Meya was fascinated by tessellation — the repeated use of a single shape without gaps or overlapping — and wanted to figure out a way to incorporate tessellating patterns into her work. At first she tried to make a mosaic with tessellated tiles, but wasn’t happy with the results. So she came up with another method in which she created bisque stamps that would create tessellations. In today’s post, an excerpt from the May/June 2013 issue of Pottery Making Illustrated, she explains how to use them to on slabs to make beautiful wall tiles. – Jennifer Harnetty, editor.
Pottery Video of the Week: Applying Ceramic Decals to Leatherhard Pottery to Combine Atmospheric Effects with Decal Imagery
Decals have been used on ceramic work for many years by independent potters and industry. But perhaps nobody has pushed the limits with them as much as Justin Rothshank. Justin has tried everything under the sun when it comes to using decals creatively on pottery. In today’s post, an excerpt from his new DVD Ceramic Decals: New Ideas and Techniques, Justin explains how he applies decals to leather-hard work so that he can combine atmospheric effects with decal imagery.
Although bright colors have become just as easy to achieve at cone six as they are at cone 06, Gail Kendall still prefers the low fire approach, inspired by the casual decretive style of peasantware from Europe and Great Britain. In today’s post, Gail explains her techniques for creating simple and beautiful slip-decorated surfaces. She also shares her slip and glaze recipe. – Jennifer Harnetty, editor.
Slip trailing is a lovely way to add dimensionality to your work. And it is super simple to prepare your slip from your own clay body. In today’s clip, an excerpt from her DVD Layered Surfaces, Erin Furimsky explains how to prepare slip for slip trailing, plus gives a bunch of tips on how to get the most out of your slip trailer.
Think thin porcelain. Now think even thinner porcelain and you have the plates of Christina Bryer. These translucent plates are a slip-casting marvel but not nearly as impossible to make as you would think. In today’s post, an excerpt from the April 2013 issue of Ceramics Monthly, Christina walks us through the process of making her delicate platters. – Jennifer Harnetty, editor.
There are a number of ways to make stencils, with the easiest method being making stencils out of paper. But for more complex designs or designs with very fine components, adhesive stencil film and a screen are really handy. In todays video, an excerpt from Fundamentals of Screen Printing on Clay, Paul Wandless explains this process. Enjoy!
With a seamstress mom and a quilting grandma, Colleen Riley was surrounded by textiles growing up so it makes a lot of sense that her clay surfaces resemble fabric designs. In today’s post, an excerpt from the January 2013 issue of Ceramics Monthly, Colleen explains the techniques she developed for creating surfaces that resemble batik fabric.