Bakersville, North Carolina, is a pretty idyllic place, especially if you are a potter. Not only is there a big clay community, but there is breathtaking beauty all around from which to draw inspiration, and most of the potters I’ve met there work in studios that take advantage of those views. Suze Lindsay is one of those potters. Her studio backs up to a beautiful forest, and the critters in that forest have no doubt made their way into her pottery. In today’s post, an excerpt from her DVD Pouring Vessels: Making and Decorating Expressive Functional Pottery, Suze shows us how she decorates one of her animated bird-inspired pitchers. – Jennifer Harnetty, editor.
The options are many when it comes to creating decoration on your pottery with resists. In the latest issue of Pottery Making Illustrated, Deanna Ranlett put several of them to the test.
In today’s post, we’re sharing Deanna’s assessment of wax resist and latex resist. For more, check out the September/October 2013 issue of Pottery Making Illustrated! – Jennifer Harnetty, editor.
Angelique Tassistro’s intense layered surfaces came about through what we in the ceramics world call a happy accident. After spending hours creating a checkered pattern on a large platter, she dripped an unwanted blob of glaze smack dab in the middle. Halfway through cleaning off the platter, she saw a lovely line that was softer and less rigid, and she realized she was onto something. In today’s post, an excerpt from the September/October 2013 Pottery Making Illustrated, Angelique explains how she creates her signature surfaces.- Jennifer Harnetty, editor.
Wet slip inlay is a great technique for getting fantastic organic patterning on pots. Basically it consists of layering contrasting colors of slip on a slab and jiggling the slab to distort the slip layers into interesting marbled designs. In today’s post, a sneak peek from the upcoming September 2013 issue of Ceramics Monthly, Robert Strasser shares his techniques and tips for working with wet slip inlay. For the rest of the article, keep your eye out for the September 2013 issue of CM!
Amy Meya was fascinated by tessellation — the repeated use of a single shape without gaps or overlapping — and wanted to figure out a way to incorporate tessellating patterns into her work. At first she tried to make a mosaic with tessellated tiles, but wasn’t happy with the results. So she came up with another method in which she created bisque stamps that would create tessellations. In today’s post, an excerpt from the May/June 2013 issue of Pottery Making Illustrated, she explains how to use them to on slabs to make beautiful wall tiles. – Jennifer Harnetty, editor.
Pottery Video of the Week: Applying Ceramic Decals to Leatherhard Pottery to Combine Atmospheric Effects with Decal Imagery
Decals have been used on ceramic work for many years by independent potters and industry. But perhaps nobody has pushed the limits with them as much as Justin Rothshank. Justin has tried everything under the sun when it comes to using decals creatively on pottery. In today’s post, an excerpt from his new DVD Ceramic Decals: New Ideas and Techniques, Justin explains how he applies decals to leather-hard work so that he can combine atmospheric effects with decal imagery.
Although bright colors have become just as easy to achieve at cone six as they are at cone 06, Gail Kendall still prefers the low fire approach, inspired by the casual decretive style of peasantware from Europe and Great Britain. In today’s post, Gail explains her techniques for creating simple and beautiful slip-decorated surfaces. She also shares her slip and glaze recipe. – Jennifer Harnetty, editor.
Slip trailing is a lovely way to add dimensionality to your work. And it is super simple to prepare your slip from your own clay body. In today’s clip, an excerpt from her DVD Layered Surfaces, Erin Furimsky explains how to prepare slip for slip trailing, plus gives a bunch of tips on how to get the most out of your slip trailer.
Think thin porcelain. Now think even thinner porcelain and you have the plates of Christina Bryer. These translucent plates are a slip-casting marvel but not nearly as impossible to make as you would think. In today’s post, an excerpt from the April 2013 issue of Ceramics Monthly, Christina walks us through the process of making her delicate platters. – Jennifer Harnetty, editor.