Today’s video clip didn’t quite fit onto Meredith Host’s DVD because we ran out of space. But I just couldn’t bear having it languish on the cutting room floor, so I decided to share it with you all today. As we all know, transferring two-dimensional designs onto a three-dimensional surface can be challenging… Read More »
Ceramic Decorating Techniques
Explore the possibilities of decorating ceramics with techniques used at the forming stage through final glazing and even post-firing methods. Interested in trying out terra sigillata techniques? You'll find recipes and techniques here. Have you always wanted to try your hand at raku firing? You can learn more about it here. Wondering what is possible with commercial glazes? Look no farther! We've gathered myriad articles on myriad ceramic decorating techniques here in one place. The possibilities of what can be done with clay, ceramic tools, materials and a little imagination are virtually endless, and you'll find even more inspiration in the Ceramic Arts Daily Bookstore.
We’ve all used our trusty old friend wax resist to keep glaze from going where we don’t want it to go, and it works like a charm. But what about using resists that aren’t quite as effective as wax resist in order to get interesting surface effects? What a great idea!Belgian potter Russel Fouts has… Read More »
Ceramic artist Bede Clarke has explored a number of different paths in his career. Recently, after focusing primarily on wood firing for a number of years, he shifted his concentration to painting on the slipped surfaces of earthenware pots to satisfy a love of painting. In today’s post, an excerpt from the September 2014 issue… Read More »
Painting a repeating pattern on a round vessel presents challenges. To be convincing, the pattern needs to expand proportionally with the roundness of the pot. Tony Merino wanted to do this, but really wasn’t too excited about revisiting high-school trigonometry class. So he set out to find an easier way, and he did. In… Read More »
The pottery of Lauren Karle is influenced by the beautiful garments of the indigenous cultures of Guatamala, where she lived for 2 1/2 years. The pots reference these garments both in the way they are constructed (cut, altered, darted, “stitched” together) and in their decoration. In today’s post, an excerpt from the October issue of Ceramics Monthly, Lauren demonstrates how she creates colorful patterns with a slip transfer technique.
Ceramic stains and underglazes mixed with water painted on unfired white-glazed bisque is pretty similar to watercolor painting on paper. The main difference is that the glazed bisque surface absorbs the color and water mixture more quickly. But once you get used to that, you can create beautiful watercolor-like surfaces. In today’s post, an excerpt… Read More »
As Dana Bilello-Barrow was developing her voice and her skills with clay, she realized that she would often be disappointed by her post after glazing. What resonated with was the tactile connection she had with the raw clay so she decided to try to find ways to maintain that through the firing. Her solution was… Read More »
Slip trailing is a great way to add decoration to pots. Most ceramic artists use a fairly liquid slip when slip trailing. But after watching a baking competition on television, Sharon Romm started experimenting with using thicker slip to decorate pots like a pastry chef would decorate a cake. She shares her results in today’s… Read More »
I have seen many potters use tar paper as a pattern making tool, and have seen stencils used to create colorful designs with underglazes or glazes. But in today’s post, they are used slightly differently. Ben Carter explains how tar paper can be cut into a shape or pattern and then pressed into soft… Read More »
There are lots of ways to create texture on pottery, the most obvious being stamping the malleable surface. But Lisa Naples creates beautiful random texture on her work with slips of varying consistencies. In today’s post, an excerpt from her our compilation DVD Handbuilding: Texture and Surface, she demonstrates how her thin, thick, and thicker slips… Read More »