Karen Swyler takes a subtle approach to her glazing, juxtaposing raw white porcelain
surfaces with ribbons of shiny clear-glazed lines or small accents of
color. Today, in an excerpt from an upcoming Ceramics Monthly profile, she explains her less-is-more glazing technique.
I love the look of screen printed images but I avoided trying screen printing on my clay work until I discovered a super easy way to make the screens using the sun as an “exposure unit.” Now I have been having lots of fun experimenting with the technique. In today’s post, an excerpt from her DVD Form, Pattern, and Underglaze, Meredith Host demonstrates how easy it is to make these screens and get started with screen printing on clay.- Jennifer Harnetty, editor.
Today, in an excerpt from the November/December 2010 issue of Pottery Making Illustrated, Arthur Halversen takes us through the coil building process he uses to construct his flower brick forms. He also shares his recipe for the frosting-like glaze he uses – the icing on the cake, as they say. – Jennifer Harnetty, editor.
In this excerpt from his new DVD Ceramic Decals: New Ideas and Techniques, Justin Rothshank takes us step by step through the process of creating and applying an inverse laser decal, including the photoshop portion.
Ben Carter thinks about design at every stage of the game when making pots. When he is throwing and altering, he is specifically considering the decoration that he will apply later.
In today’s video, an excerpt from his brand spanking new DVD Design for the Soft Surface: Throwing, Handbuilding, and Slip Decorating, Ben shows how he uses slip trailing, sgraffito, and underglaze painting in his work, and explains the thought process in deciding where the marks go. Though Ben works with earthenware at the low end of the firing range, but the colored underglaze technique can be used at any temperature range with a suitable transparent overglaze.- Jennifer Harnetty, editor.
A couple NCECAs ago I bought some rice paper transfers from a supplier at the conference. They are super fun to play around with and very easy to use, but as with anything commercially made, they are not unique to me.
So I loved this article from the Pottery Making Illustrated archive vault (buy the pdf of the issue in which it appeared here!) about making custom rice paper transfers. Read on to get the scoop! – Jennifer Harnetty, editor.
Making thin lines on pottery is a challenge with a slip trailer, but there are a couple other options that can get the job done: mishima, slip inlay with wax, and maybe some others. In today’s post, we’ll focus on slip inlay with wax. Doug Peltzman uses this technique, combined with some latex resist to create his beautiful segmented decoration. Read on to see how he does it! – Jennifer Harnetty, editor.
Wheel throwing isn’t the only way to make seemless cylindrical forms on the wheel. Mitch Lyons uses a technique he calls the broomstick method. What’s great about this method is that you can roll your cylinders over pieces of colored clay to inlay various designs. In today’s video clip, Lyons demonstrates how he inlays figurative colored clay motifs into his broomstick vases. I have also included a step-by-step recap of the technique below.
An interest in architecture and geometric design combine in the forms and surfaces of Matt Repsher’s vessels, jars, mugs, bowls, and sculptures. From the choice of clay — a red bricklike body — to the carved ornamentation, Repsher gives a nod to these influences. In today’s post, an excerpt from the October 2013 issue of Ceramics Monthly, Matt explains his process for carving and decorating his surfaces with slip.- Jennifer Harnetty, editor.