The Irresistible Surface: Layering Glazes and Trapping Carbon to Create Loosely Geometric Repeating Patterns
Peter Karner developed his surface decoration through years of trial and error and he continues to try new things so that his surfaces continue to evolve. In today’s post, Peter explains how intuition combined with experimentation helped him perfect his beautiful glaze surfaces. Plus he details how he uses wax resist and layers of five different glazes to develop his gorgeous glaze patterning.
Pottery Decorating Video: What a Stretch! How to Use Sodium Silicate to Create Crackled Texture on Pottery Surfaces
In today’s video, potters Don Ellis and Randy Brodnax demonstrate a couple of variations on the same technique in tandem. The technique involves using sodium silicate and a heat gun to quickly harden the outside surface of a freshly thrown pot. Then the pot can be stretched from the inside, creating a lovely cracked texture on the surface.
In today’s post, Allistair and Sally MacDonnell show us how easy it is to make plaster press molds to make a series of brooches. Plus they explain how they use stamps to texture each slab before molding it into the shape they want.
On Monday of this week, I shared a great tip for a measuring device called a Dividing Web. This tool is quite handy for making precise repeated decoration all the way around a pot. So I thought I would follow up with a video of another great tool for dividing round pots up into equal segments. You’ll especially find this one convenient if you are a coffee drinker or enjoy a cocktail every now and again. Watch the video!
The Mata Ortiz pottery tradition was started about 40 years ago by one self-taught man – Juan Quezada – and it brought a dying town back to life. Today, I thought I would share a little taste of this compelling story. With the news we hear daily about the various economic crises around the world, I figured we could all use a happy story!
Three Great Pottery Decorating Techniques: A Guide to Sgraffito, How to Make and Use Terra Sigillata, and Creating and Coloring Highly Textured Surfaces is available today, and to give you a taste of what you’ll find inside, I am posting an excerpt about sgraffito. In it, Wayne Bates shares some great insights into this fun technique.
Though the name sounds a bit intimidating, photo lithography image transfer onto clay, is not a terribly difficult process. You just need to get a couple of tools that you might not have on hand, but once you do that, it’s a piece of cake. In today’s video, Kristina Bogdanov shows us how. Watch the video!
In today’s video, Cathi Jefferson demonstrates the decorative brushwork techniques she uses on her salt glazed work, showing both the decorative process and the finished results after the firing. Even though Cathi fires in a salt kiln – something I (and probably most of you readers) don’t have access to – I was completely inspired to try some of these techniques with the glazes I use at cone 6 electric. You should too! (And send me photos of the results! I might just post some on the daily blog!)
In today’s video, Mary Cuzick demonstrates her carving and slip trailing techniques. Workshops (and conferences like NCECA) are such wonderful tools for rejuvenating one’s artistic practice and learning new skills, so I thought sharing a workshop video was a fittin.g way to wrap up our Education Week coverage
If you frequent Ceramic Arts Daily, you may be familiar with the term Mishima because we’ve posted several different variations on the technique in the past. Mishima is a traditional Korean surface decorating technique that involves inlaying a colored slip into incised lines on leather-hard clay. I have found another variation on Mishima that I just had to share today. In this post, ceramic artist Steven Young Lee explains the Mishima variation that works best for his work. Instead of working with leather hard clay, Lee inlays his slip into bisqueware and then scrapes
it off with a metal rib.