In today’s post, Robin Hopper presents a possible solution for those who want to paint, but would like to incorporate marks that can only be made by the magic of the kiln. Robin has been experimenting with painting on substrates, high-tech, porcelain-like, super-thin, pre-fired sheets of mostly alumina that were developed for use in the automotive, electronic, avionics, medical, and military fields. Working with cast-offs from industry, Robin has found that the material is affordable and has been giving him terrific results. Plus, he is making something beautiful from would-be landfill fodder.
Grout does not just have to be a practical element in tile work. With a wide range of premixed grout colors available, it can also be used to aesthetically enhance a single tile or an entire tile mural. By strengthening the weight of a line or adding a weathered patina, grout can really become an integral part of the decorative process. Today, Laura Reutter demonstrates how grout can be used in this way. She also gives some great advice for press molding and drying tiles without warping.
In today’s video, Rene Murray, a presenter at the upcoming Potters Council Conference Surface + Form, demonstrates her twist on inlaying contrasting clay bodies into one another for graphical surface decoration. One of the things I really liked in Rene’s video was the idea of laying down an picture plain of color before laying down imagery. I just really loved the irregular edges of the plain of color and how it set off the picture. I also loved her spontaneity – something I struggle with in the studio. Hope you like it too! – Jennifer Harnetty, editor.
Layers of Color: Using Different Colors of Casting Slip, Resist Patterns and Decals to Create Graphical Pottery Surfaces
Today, Andrew Gilliatt explains how he arrives at his super fun surfaces by adding color in stages with colored casting slip, glaze, and decals. Plus, he shares his casting slip and a couple of glaze recipes!
This past summer, I had the pleasure of spending a couple of days with Paul Andrew Wandless to film an instructional DVD on screenprinting on clay. In any video production, there are inevitably parts that get left on the cutting room floor. But lucky for us, they don’t have to be lost forever because we can share them on Ceramic Arts Daily – which is what I will do today. In this clip, Paul demonstrates how screens and stencils can be layered to add more impact to an image.
Many people know that a microwave oven can be used to dry clay quickly when you’re in a pinch. Dielectric heating (the type used in a microwave oven) is also used in industry to fire ceramics for high-tech applications. This option is also available on a small scale to the studio potter, at least for firing tests and small objects using a microwave kiln. In today’s post, an excerpt from our latest free download the 2011 Buyers Guide to Ceramic Arts Supplies: A Studio Reference for Purchasing and Using Ceramic Supplies and Pottery Tools, Jessica Knapp tells you all about this alternate use for old microwaves!
After participating in a workshop of hers many moons ago, I was excited to reunite with Kathy King at the Potters Council Splendid Surfaces Conference and shoot some video of her presenting some tips and techniques for successful sgraffito. Today, lucky readers, I am presenting that video. So have a look, get out some sharp tools, and start scratching!
I can hardly contain my excitement because today, we are announcing our new DVD series! We started this video series with the goal of helping you gain more access to instruction on a wide variety of techniques from top-notch artists. Our first title, Screen Printing on Clay with Paul Andrew Wandless, is now heading off to the replication company! And today, I am happy to present an excerpt from it in which Paul demonstrates how to use screen block and screen filler to make hand-drawn silk screens for printing on clay. Watch the video!
There are many, many ways to put lines onto posts – carving, fluting, painting, drawing – but, I have to say, I had never seen anyone doing it quite like Jeff Campana. Jeff takes his well-thrown porcelain pots, chops them up into pieces, and then reassembles them. Then to top it all off, he uses glazes that pool in the seams. Today, Jeff shares his technique and how he arrived at such a labor intensive process in the first place.
In today’s video, Tom Shafer demonstrates five different decorating techniques with colored clay slip. If you’ve grown tired of working only with glazes, these tips are a surefire way to wake up your surfaces.