Wet slip inlay is a great technique for getting fantastic organic patterning on pots. Basically it consists of layering contrasting colors of slip on a slab and jiggling the slab to distort the slip layers into interesting marbled designs. In today’s post, a sneak peek from the upcoming September 2013 issue of Ceramics Monthly, Robert Strasser shares his techniques and tips for working with wet slip inlay. For the rest of the article, keep your eye out for the September 2013 issue of CM!
Today, Annie Chrietzberg explains how Lana Wilson uses bisque stamps, textured materials, rolling, and paddling to create layered texture on her work. She also explains her darting technique for creating a slab-built platter.
Angelique Tassistro’s intense layered surfaces came about through what we in the ceramics world call a happy accident. After spending hours creating a checkered pattern on a large platter, she dripped an unwanted blob of glaze smack dab in the middle. Halfway through cleaning off the platter, she saw a lovely line that was softer and less rigid, and she realized she was onto something. In today’s post, an excerpt from the September/October 2013 Pottery Making Illustrated, Angelique explains how she creates her signature surfaces.- Jennifer Harnetty, editor.
Screen printing on pots is definitely a trend these days and one of the main trend setters in this area is Jason Bige Burnett. Jason draws on his background in screen printing and graphic design to create his super fun work.
In today’s post, Jason shows how to transfer a screen printed image to a slab and then turn that slab into a simple plate. An extra cool thing about this clip is that Jason shows how you can hand color various parts of your print in a technique comparable to monoprinting. Have a look! – Jennifer Harnetty, editor.
Making thin lines on pottery is a challenge with a slip trailer, but there are a couple other options that can get the job done: mishima, slip inlay with wax, and maybe some others. In today’s post, we’ll focus on slip inlay with wax. Doug Peltzman uses this technique, combined with some latex resist to create his beautiful segmented decoration. Read on to see how he does it! – Jennifer Harnetty, editor.
What’s not to love about texture and clay? After all, it’s clay’s wonderful malleability that got us all hooked in the first place. And textured clay can work so well with glaze. In today’s post, an excerpt from her new video Low Tech Clay: High End Results, Kari Radasch shares a simple technique for creating texture on the inside of a bowl by using an easy-to-make tool and a bisque hump mold. An added bonus of this technique is that, because your mold is a hump mold, you can attach the foot right away so everything can dry at the same time, thus avoiding cracks! – Jennifer Harnetty, editor.
There are myriad ways to get texture on clay – one of these being the handmade bisque stamp. But sometimes you just want more immediate gratification. That’s where carving block printing material comes in. In today’s post, Ann Ruel explains how to use these printing tools to easily create your own stamp designs (with no need to own a kiln). These could come in handy for someone who works at a community art center and doesn’t want to wait for a bisque stamp to be fired.