The pottery of Lauren Karle is influenced by the beautiful garments of the indigenous cultures of Guatamala, where she lived for 2 1/2 years. The pots reference these garments both in the way they are constructed (cut, altered, darted, “stitched” together) and in their decoration. In today’s post, an excerpt from the October issue of Ceramics Monthly, Lauren demonstrates how she creates colorful patterns with a slip transfer technique.
Ceramic stains and underglazes mixed with water painted on unfired white-glazed bisque is pretty similar to watercolor painting on paper. The main difference is that the glazed bisque surface absorbs the color and water mixture more quickly. But once you get used to that, you can create beautiful watercolor-like surfaces. In today’s post, an excerpt from the July/August 2014 issue of Pottery Making Illustrated, Laurie Curtis shares her simple technique.- Jennifer Harnetty, editor.
Slip trailing is a great way to add decoration to pots. Most ceramic artists use a fairly liquid slip when slip trailing. But after watching a baking competition on television Sharon Romm started experimenting with using thicker slip to decorate pots like a pastry chef would decorate a cake. She shares her results in today’s post.- Jennifer Harnetty, editor.
There are lots of ways to create texture on pottery, the most obvious being stamping the malleable surface. But Lisa Naples creates beautiful random texture on her work with slips of varying consistencies. In today’s post, an excerpt from her our compilation DVD Handbuilding: Texture and Surface, she demonstrates how her thin, thick, and thicker slips can build up different textures creating lovely surfaces.- Jennifer Harnetty, editor.
Oribe ware is a type of ceramics that originated in the 16th century and is known for its copper green glaze and bold patterns. Ben Krupka is a fan of the experimental and playful feel of Oribe. In today’s post, Ben explains how he uses slips, wax resist, sgraffito and inlay techniques to create his own interpretation of this historical style.- Jennifer Harnetty, editor.
While in graduate school, Elizabeth Sparks became interested in traditional slipware pottery. So she tore through books and magazines to learn about the technique. She combined that research with an interest in using local raw materials. In today’s post, she shares her slip dotting and feathering techniques.- Jennifer Harnetty, editor.
Karen Swyler takes a subtle approach to her glazing, juxtaposing raw white porcelain
surfaces with ribbons of shiny clear-glazed lines or small accents of
color. Today, in an excerpt from an upcoming Ceramics Monthly profile, she explains her less-is-more glazing technique.