While in graduate school, Elizabeth Sparks became interested in traditional slipware pottery. So she tore through books and magazines to learn about the technique. She combined that research with an interest in using local raw materials. In today’s post, she shares her slip dotting and feathering techniques.- Jennifer Harnetty, editor.
Karen Swyler takes a subtle approach to her glazing, juxtaposing raw white porcelain
surfaces with ribbons of shiny clear-glazed lines or small accents of
color. Today, in an excerpt from an upcoming Ceramics Monthly profile, she explains her less-is-more glazing technique.
I love the look of screen printed images but I avoided trying screen printing on my clay work until I discovered a super easy way to make the screens using the sun as an “exposure unit.” Now I have been having lots of fun experimenting with the technique. In today’s post, an excerpt from her DVD Form, Pattern, and Underglaze, Meredith Host demonstrates how easy it is to make these screens and get started with screen printing on clay.- Jennifer Harnetty, editor.
Today, in an excerpt from the November/December 2010 issue of Pottery Making Illustrated, Arthur Halversen takes us through the coil building process he uses to construct his flower brick forms. He also shares his recipe for the frosting-like glaze he uses – the icing on the cake, as they say. – Jennifer Harnetty, editor.
In this excerpt from his new DVD Ceramic Decals: New Ideas and Techniques, Justin Rothshank takes us step by step through the process of creating and applying an inverse laser decal, including the photoshop portion.
Ben Carter thinks about design at every stage of the game when making pots. When he is throwing and altering, he is specifically considering the decoration that he will apply later.
In today’s video, an excerpt from his brand spanking new DVD Design for the Soft Surface: Throwing, Handbuilding, and Slip Decorating, Ben shows how he uses slip trailing, sgraffito, and underglaze painting in his work, and explains the thought process in deciding where the marks go. Though Ben works with earthenware at the low end of the firing range, but the colored underglaze technique can be used at any temperature range with a suitable transparent overglaze.- Jennifer Harnetty, editor.
A couple NCECAs ago I bought some rice paper transfers from a supplier at the conference. They are super fun to play around with and very easy to use, but as with anything commercially made, they are not unique to me.
So I loved this article from the Pottery Making Illustrated archive vault (buy the pdf of the issue in which it appeared here!) about making custom rice paper transfers. Read on to get the scoop! – Jennifer Harnetty, editor.
Making thin lines on pottery is a challenge with a slip trailer, but there are a couple other options that can get the job done: mishima, slip inlay with wax, and maybe some others. In today’s post, we’ll focus on slip inlay with wax. Doug Peltzman uses this technique, combined with some latex resist to create his beautiful segmented decoration. Read on to see how he does it! – Jennifer Harnetty, editor.
Today’s video clip didn’t quite fit onto the new Meredith Host DVD because we ran out of space. But I just couldn’t bear having it languish on the cutting room floor, so I decided to share it with you all today. As we all know, transferring two-dimensional designs onto a three-dimensional surface can be challenging – especially if that surface is curvy. In this clip, Meredith shows how she approaches screen printed and stenciled decoration on one of her curvy mugs. – Jennifer Harnetty, editor.