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For more cool handbuilding techniques, download your free copy of Three Great Handbuilding Techniques: How to Make Pots Using the Pinch, Coil and Slab Methods!

Handbuilding Techniques

Handbuilding may be an ancient pottery making technique, but there is no shortage of exciting work being created today by the hands of ceramic artists. Here, we’ll share with you some of the most inventive handbuilt work out there and give step-by-step instruction from the artists making it. Handbuilding projects, from the simple coil built pot to complex slab built sculpture, are covered in detail. Peruse through our archive of articles and videos on handbuilding techniques, whether you want to brush up on a process or start off in a new direction. And, if you haven't already, be sure download your free copy of our Three Great Handbuilding Techniques: How to Make Pottery Using the Pinch, Coil and Slab Methods for some handbuilding project ideas.



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November 20, 2009

Today we have a cool little video from Mark Peters. Mark is so good at taking a simple idea and the most basic of tools - a lump of clay, a sponge, and a stretched-out spring - and turning it into a loose, yet elegant piece of pottery. Have a look and then give this one a try!

November 18, 2009

Today's post combines two great things: clay and music. In an excerpt from Barry Hall's From Mud to Music, you'll learn how to make a clay whistle flute step by step.

November 13, 2009

In this video, Mitch Lyons demonstrates making a cylindrical form using a series of dowel rods in graduated sizes to hollow out the center. It is a great technique for handbuilding cylinders because you can really do a lot with surface texture. Watch the video!

November 6, 2009

Today, Lorna Meaden explains a great way to fix a messed-up pitcher spout by adding coils when the pot is leather hard and re-pulling the spout. Not only is it a great way to fix mess-ups, but it is also a great way to add length to a pulled spout. Watch the video!

October 23, 2009

In this clip, Hattie Sanderson, a certified Precious Metal Clay instructor, explains the basic PMC tools and lingo, and presents an introductory earring project. Watch the video!

August 24, 2009

Today potter Dan Gegen explains how he begins working with texture before the construction process even begins, and therefore makes it integral to the design of the pot. He also shares the glaze recipe for the lovely celadon-esque glaze featured on the pot to the left.

August 7, 2009

In today's video, ceramic artist Frank Giorgini demonstrates traditional Nigerian handbuilding techniques for making Udu drums. These techniques can be applied to any coil-built form so even if you don't plan on making a drum, you'll come away with methods to make beautiful and structurally sound vessels!

July 15, 2009

Ceramic sculptor Lisa Merida Paytes tells us about her work and takes us through the process of creating and raku firing one of her skeletal fish sculptures.

July 10, 2009

  Kristin Doner produces pinch pots on a larger-than-usual scale. She began with 2 or 3 pound balls of clay but she wanted larger forms so she increased the clay and developed new forming strategies. After opening with a usual pinching method, she expands the pot by rhythmically paddling the outside.   For more great handbuilding techniques, download your free copy of Three Great Handbuilding Techniques: How to Make Pottery Using the Pinch, Coil and Slab Methods! My journey with clay ...

July 9, 2009

  Making large ceramic jars with flat coils has been done for centuries in many parts of Asia. One big advantage with this method is you can make most any shape because you can change direction as you build the form, which is next to impossible on the wheel. Once you get the technique down, you can use the same flat coil technique for a variety of clay sculpture forms as well.   Making large jars with flat coils has been done for centuries in many parts of Asia and Southeast Asia. Master potters in Korea made thousands of flat-coiled storage jars—primarily used for kimchi, ...

July 6, 2009

Denver potter Annie Chrietzberg demonstrates her creative technique for making nesting pots from slab-built forms. This step-by-step how-to project illustrates how to use tart tins from a kitchen store as templates, how to cut darts in slabs to make square forms and how to work with textured surfaces to get truly unique dishes.

July 1, 2009

In this excerpt from his great full-length DVD, Get a Handle On It, Tony Clennell demonstrates a nifty little way to add interest to handles on pottery.

April 13, 2009

In today's post, ceramic artist Dee Schaad presents a project that combines two simple handbuilding techniques – pinching and soft slab building - to make figurative sculptures.

March 9, 2009

Looking for some interesting new ideas for the teapot form? Today we'll show you how potter Ray Bub throws and assembles teapots that would make Picasso proud.

March 2, 2009

Today, we'll explain how ceramic artist Eva Kwong uses slabs, coils and other handbuilding techniques to make her biologically influenced ceramic sculptures.

February 24, 2009

In the upcoming April issue of Ceramics Monthly there is a full-length feature article on potter Liz Zlot Summerfield. Today, we'll give you a sneak peek of the work you can expect to see in the article and share a little bit of Liz's handbuilding process.

January 21, 2009

Ceramic artist Amy Sander's work, which includes functional pottery as well as decorative wall pieces, has the appearance of soft quilted fabric although it is made of fired clay. Today, Amy shares her process for creating patchwork ceramic wall art.

January 16, 2009

Today, in a clip from his full-length DVD, Get a Handle On It, Tony Clennell demonstrates a couple of great methods for making attractive coil-built handles for functional pottery.

November 17, 2008

Sometimes, when I'm really on a roll in the studio, I find it difficult to be patient and let the work dictate the pace of the process. If it's not ready to be trimmed, and I go ahead and trim it while it's too soft, I pay the price in deformation or S-cracks after firing (from not compressing during trimming). The same can be true with drying. Rushing the process is almost never good. Luckily, it's not difficult to dry your work evenly—assuming you can make yourself leave it alone. In today's feature, Snail Scott walks us through the basics of drying and some simple ways to ensure success.

September 10, 2008

All kinds of musical instruments can be fashioned from clay, with one of the simplest being the ocarina. The project we are presenting today makes an ideal ceramics lesson plan for teachers incorporating basic handbuilding skills. Or it can be a fun project for those who need a break from their regular studio work.