Paveen Chunhaswasdikul repurposed an empty glue bottle to come up with this all-in-one tool to use when adjoining two pieces of clay.
Today’s feature comes to us from Ceramic Arts Daily subscriber C.A. Sanger of Waterville, Kansas. She was inspired to send this technique when she read Brad Menninga’s article “Making Custom Silk Screens for Ceramics,” which ran a couple of weeks ago. Sanger offers this tip as a way to make simple silk screens with inexpensive materials you might already have around the house or studio. Be sure to try combining this process with the technique explained in Susan Kotulak’s feature “From Flat to Round: Screen Printing Glaze Patterns onto Pottery.” I am sure it will open up new creative directions in your work!
In this week’s Tip of the Week, potter Mea Rhee of Silver Spring, Maryland, tells us how to make a homemade, low-tech hydrometer for the clay studio. Whether you go high-tech or low-tech, a hydrometer can help you achieve consistent results when glazing!
Following Wednesday’s newsletter, we received an inquiry on damp cabinets or damp boxes. This reader had never used a damp cabinet and wondered where she could get one. Well, she probably doesn’t have to look very far. Chances are she already has the materials to make one right in her studio. Michael Bossin of Sharon, Massachusetts, offers this simple suggestion for a damp box:
Today, potter Andi Fasimpaur shares a great tip for an inexpensive work surface for handbuilding. Plus, we’ll give you a couple of other great tips for the pottery studio.