On Monday of this week, I shared a great tip for a measuring device called a Dividing Web. This tool is quite handy for making precise repeated decoration all the way around a pot. So I thought I would follow up with a video of another great tool for dividing round pots up into equal segments. You’ll especially find this one convenient if you are a coffee drinker or enjoy a cocktail every now and again. Watch the video!
The Dividing Web: A Handy Tool for Making Evenly Spaced Patterns All the Way Around a Piece of Pottery
This handy guide makes it easy to divide the surface of any round pot into as many as twelve equal sections. Whether you’re decorating, darting, paddling or attaching handles and spouts, you’ll want to keep a few of these around the studio.
Making your own customized ribs is not only a way to help facilitate
your personal aesthetic touches, but, as Robert Balaban puts it, it
“permits creativity to extend from the clay to the tools.” In today’s
post, Robert shares his system for creating custom hardwood throwing
Clay people are a clever lot. It never ceases to amaze me how many interesting and innovative tools and techniques ceramic artists come up with to make their processes more efficient or to achieve the end result for which they are aiming. And the great thing is, clay people are always willing to share their tips. Today, I’m sharing a couple of those with you here in the Daily.
In today’s video, ceramic artist Charan Sachar shows us how to make a foolproof and ergonomic slip trailer out of some inexpensive materials. Watch the video now! and then make some for yourself. We’ve also included some step-by-step written instruction on the process.
Because the process of working with clay is so enjoyable to us, it’s easy to forget that this material we love so much has some physical characteristics that, if not understood and respected, can do us harm. One of those characteristics is plasticity, which of course is a good thing—it’s what makes clay workable. Heck, if clay wasn’t plastic, it would just be dirt! At the same time, that quality that sticks all those clay particles together makes a large lump of it fairly resistant to the pressure of a human hand—or foot, or elbow or head… Over time, the stress and pressure of pushing clay around can do damage to our joints and tissue. But this is why we have clay tools. They make our studio lives easier, they make our work better (if we use them right) and they maximize the physical effort of our bodies. In today’s feature, Don Adamaitis demonstrates how to make a tool that can protect us from injury and make our working process more enjoyable. And it’s easy!
If you trim your pottery using a bisque-fired chuck—or even if you don’t—you’ll love the superchuck. Watch the video to check out what Tim See has come up with, and then make your own. We’ve included a materials list and instructions below; don’t worry, it’s short and the process is easy.—Sherman Hall, Ceramic Arts Daily
Today we bring you a couple of great reader-submitted tips for ceramic tools. These tips involve items that you probably already own, but never thought to use for clay studio purposes. Following a laundry theme, ceramic artists Ken Magee of Talahassee, Florida, and Peggy Breidenbach of Indianapolis, Indiana, share ideas for repurposing tools usually used for drying clothes for use in the ceramics studio.
Today we bring you a couple of tips from Ceramic Arts Daily readers about two essential items for any clay studio: plaster and plastic storage bins.