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Ceramics Monthly


Ceramics Monthly: June/July/August 1989

Posted On June 1, 1989 0 Comments

Barbara Miner has “made all the mistakes you can think of,” yet she still feels very positive about operating her own craft business.

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Ceramics Monthly: May 1989

Posted On May 1, 1989 0 Comments

Brook Le Van at the Omaha Brick Works, where he purchases pallets of freshly extruded pavers for constructing sculpture. “Instead of using a lump of raw clay, assigning a particular meaning to it and then building something, I start with a brick, an object that can metaphorically represent something, like ‘shelter'”.

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Ceramics Monthly: April 1989

Posted On April 1, 1989 0 Comments

Building a wood-fired kiln with Doug Casebeer (top) at Appalachian Center for Crafts near Smithville, Tennessee, challenged workshop participants with “total involvement.”

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Ceramics Monthly: March 1989

Posted On March 1, 1989 0 Comments

Pennsylvania artist Paula Winokur with “Entry I Sakkara,” a porcelain doorway installed at Helen Drutt Gallery, New Your City. 

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Ceramics Monthly: February 1989

Posted On February 1, 1989 0 Comments

Beverly Mayeri (Mill Valley, California), a recipient of $15,000 in the latest round of National Endowment for the Arts fellowships.

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Ceramics Monthly: January 1989

Posted On January 1, 1989 0 Comments

Siddig El Nigoumi with sgraffito-decorated earthenware platter. Never quite as traditional or simplistic as they appear at first glance, this Sudanese/British potter’s designs can include the sting of social commentary.

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Ceramics Monthly: December 1988

Posted On December 1, 1988 0 Comments

Susan Fairhead (in the foreground) completes every step of surface design—like all decorators at England’s Moorcroft Pottery.

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Ceramics Monthly: November 1988

Posted On November 1, 1988 0 Comments

From the exhibition “Pitcher, Jug, Ewer” a $1200 stoneware pitcher, wheel thrown with vertical incising and “ribbing,” 17.5 inches high, by Val Cushing, Alfred University ceramics professor.

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Ceramics Monthly: October 1988

Posted On October 1, 1988 0 Comments

Pennsylvania potter Jack Troy at the firemouth of his 24-foot-long anagama in which “work is loaded in complex configurations according to the ‘fire weather’ in a particular zone. I visualize the flame as being a kind of cartographer, mapping the work with textures and color.”

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Ceramics Monthly: September 1988

Posted On September 1, 1988 0 Comments

Stephen De Staebler with works in progress.

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