In today’s post, an excerpt from Ceramic Decorating Tool Techniques: How To Use Clay Pencils, Slip Trailers, Glaze Pens, and Carving Tools to Decorate Ceramics, David Gamble explains how he makes his own custom brushes. From selecting the right kind of bristle, to adding a hanging loop so the brushes can be stored properly, David walks us through this easier-than-you-think process.
Polymer Clay Texture Stamps: Easy to Make Tools for Applying Texture to Ceramic Sculpture or Pottery
Virginia Cartwright’s polymer clay stamps are quick and easy to make and even more durable than bisque stamps.
We get a lot of great studio tips sent to us from readers, and every month Ceramics Monthly publishes some of them in their Tips and Tools section. Readers seem to like them, so we also have been sharing them on the Daily. Here’s our latest installment from potter Janie Varley.
In today’s post, Daryl Baird shows us how to make own stamps or press molds using a great transfer technique and insulating foam. Daryl also shows us how he uses his stamp as a press mold to make tiles.
In today’s post, an excerpt from his new DVD Slabs, Templates, Texture, & Terra Sigillata (which is now shipping, by the way!), Jeremy Randall explains how he uses tar paper to sketch in three dimensions when trying to come up with new ideas for his pottery forms.
Clay people have some darn impressive ingenuity when it comes to improving the efficiency of their processes. We get a lot of great studio tips sent to us from readers, and every month Ceramics Monthly publishes some of them in their Tips and Tools section. Since these tips were well received the last time I posted some, I thought I would share a few more. In fact, I think I will make these a semi regular feature.
Clay people have some darn impressive ingenuity when it comes to
improving the efficiency of their processes. We get a lot of great
studio tips sent to us from readers, and every month Ceramics Monthly publishes some of them in their Tips and Tools section. Since I haven’t highlighted these tips on CAD in a while, I thought I
would share a few on this fine Monday morning.
One of the things I really like about clay is how easily it meshes with printmaking, another art form I really dig. In
today’s post, Annie Chrietzberg explains how potter Cynthia Guajardo mixes linocut printing with clay. It’s a fantastic method for creating repeatable customized texture on pottery.
Nearly every potter has probably put an old credit card to use in the studio as a flexible throwing rib. But that’s not the only way to repurpose your old credit cards. In today’s bonus Monday video, potter Nan Rothwell, one of the honorable mentions in our recent D.I.Y. Tools video contest, shares some of other the credit card uses she has come up with in her pottery studio.
Potter Ann Ruel says that, although it was the mesmerizing spin of the potter’s wheel that originally drew her in to pottery, she soon felt she needed to break those circular boundaries. Today, we present a technique Ann uses for making interestingly shaped press molds out of plywood. These slump and hump molds can create endless new possibilities for new forms for your pottery.