We don’t really have a “pottery fashion” section on CAD, but perhaps we should considering all of the great studio aprons I have seen potters wearing over the years. I have been wanting to make one of my own for a while (especially since there is a fabulous fabric store near my house), but I am not the most experienced seamstress, so I haven’t made it happen.
But in the November 2014 issue of Ceramics Monthly, Lindsay Scypta and Jeni Hansen Gard give a little apron making tutorial that has made me realize that even I have the skills to make myself a custom apron. In today’s post, Lindsay and Jeni share their approach to simple studio apron making.
PS. For some great tips on how to further accessorize your apron to make it even more useful in the studio, see the November 2014 issue of Ceramics Monthly!
In today’s post, Annie Chrietzberg explains a clever hanging system that potter Christine Boyd developed for her functional work so it could be hung on the wall when not in use. She also describes the home-made tools Christine invented to make the system easy and quick to construct.
Throwing really large pots, and trimming them, is hard work. This is especially true when your pot gets to be several feet tall and you need to keep your arms and hands steady as you stand to finish your pulls. In today’s post, an excerpt from the June/July/August issue of Ceramics Monthly, Jim Wylder shares the tool he invented to lend a helping hand. PS. To see an adaptation to this tool, which can help with even glaze or slip application, check out the June/July/August 2014 issue of CM!- Jennifer Harnetty, editor.
In today’s post, Annie Chrietzberg explains how potter Cynthia Guajardo mixes linocut printing with clay. It’s a fantastic method for creating repeatable customized texture on pottery.
Getting the perfect surface on your clay pieces is often a combination of choosing the right materials, smart timing of tasks, and knowing which is the best tool for the job. In today’s post, John Dadmun shows how to make a low-tech sanding tool to help with at least one part of that equation- Jennifer Harnetty, editor.
Fixing a clogged drain is hard work and expensive. Making a drain trap is easier and cheaper than you might think. In today’s post, an excerpt from the April 2014 issue of Ceramics Monthly, Raquel and Dan Sobel explain how to make a clay trap from inexpensive and readily available materials. Give it a try in your own studio. It could save you a lot of trouble.- Jennifer Harnetty, editor.
I typically think of trimming chucks as nuclear-cooling-tank-shaped cylinders that vases or teapots are put into for trimming. But Mike Jabbur’s chucks are a bit different. Mike makes tall, narrow chucks that actually fit inside the pots that are being trimmed, thus protecting the active walls of his vessels. Have a look at this excerpt from our compilation DVD Getting Creative with Spouts and Handles, which is on sale this weekend, to see how these smart chucks work.- Jennifer Harnetty, editor.
In today’s post, Daryl Baird shows us how to make own stamps or press molds using a great transfer technique and insulating foam. Daryl also shows us how he uses his stamp as a press mold to make tiles.
Sometimes cutting up your studio tools can reveal all new uses. And taking the extra step to make those tools and experiment with using them, can make all the difference in refining your forms. In today’s post, an excerpt from the January 2014 issue of Ceramics Monthly, Jim Wylder shares two homemade tools that have helped him achieve precision from rim to foot.- Jennifer Harnetty, editor.
Many years ago, while handbuilding a large form, ceramic artist Marcia Selsor was struggling to support two slabs that she wanted to join at right angles. So, she set out to build a custom tool to serve
this purpose: a right angle jig to support the form in progress. Today, Marcia shows us how to make and use her right angle jig, a simple tool she came up with to make building geometric sculpture easier.