In today’s post, an excerpt from Ceramic Decorating Tool Techniques: How To Use Clay Pencils, Slip Trailers, Glaze Pens, and Carving Tools to Decorate Ceramics, David Gamble explains how he makes his own custom brushes. From selecting the right kind of bristle, to adding a hanging loop so the brushes can be stored properly, David walks us through this easier-than-you-think process.
Clay tools are a potter’s best friend – especially homemade tools designed to be perfect for specific tasks. Just by doing some creative searching, it’s amazing how many useful tools can be gleaned from around the home. As Deb Oliva explains in today’s post, you can use everything from beads to discarded plastic-wrap boxes to create what you need exactly when you need it. – Jennifer Harnetty, editor.
Who doesn’t love a homemade texture tool? It’s such a great way to put your personal stamp on your work.
Sarah Pike loves texture and creates her own texture rollers so that she can efficiently texture her slabs before constructing her pots. In today’s post, an excerpt from the March/April 2015 issue of Pottery Making Illustrated, Sarah shares how she makes these tools. They’re super quick and easy and the marks they make are fantastic! – Jennifer Harnetty, editor.
Texture can be addictive in pottery, and there are an infinite variety of tools that can be used to create texture. Of course, the best texture tools are homemade because you can really make your own mark. In today’s post, Larry Elardo demonstrates how he makes textured boards and uses them to make slab built pottery. I must experiment with this!
We don’t really have a “pottery fashion” section on CAD, but perhaps we should considering all of the great studio aprons I have seen potters wearing over the years. I have been wanting to make one of my own for a while (especially since there is a fabulous fabric store near my house), but I am not the most experienced seamstress, so I haven’t made it happen.
But in the November 2014 issue of Ceramics Monthly, Lindsay Scypta and Jeni Hansen Gard give a little apron making tutorial that has made me realize that even I have the skills to make myself a custom apron. In today’s post, Lindsay and Jeni share their approach to simple studio apron making.
PS. For some great tips on how to further accessorize your apron to make it even more useful in the studio, see the November 2014 issue of Ceramics Monthly!
In today’s post, Annie Chrietzberg explains a clever hanging system that potter Christine Boyd developed for her functional work so it could be hung on the wall when not in use. She also describes the home-made tools Christine invented to make the system easy and quick to construct.
Throwing really large pots, and trimming them, is hard work. This is especially true when your pot gets to be several feet tall and you need to keep your arms and hands steady as you stand to finish your pulls. In today’s post, an excerpt from the June/July/August issue of Ceramics Monthly, Jim Wylder shares the tool he invented to lend a helping hand. PS. To see an adaptation to this tool, which can help with even glaze or slip application, check out the June/July/August 2014 issue of CM!- Jennifer Harnetty, editor.
In today’s post, Annie Chrietzberg explains how potter Cynthia Guajardo mixes linocut printing with clay. It’s a fantastic method for creating repeatable customized texture on pottery.
Getting the perfect surface on your clay pieces is often a combination of choosing the right materials, smart timing of tasks, and knowing which is the best tool for the job. In today’s post, John Dadmun shows how to make a low-tech sanding tool to help with at least one part of that equation- Jennifer Harnetty, editor.
Fixing a clogged drain is hard work and expensive. Making a drain trap is easier and cheaper than you might think. In today’s post, an excerpt from the April 2014 issue of Ceramics Monthly, Raquel and Dan Sobel explain how to make a clay trap from inexpensive and readily available materials. Give it a try in your own studio. It could save you a lot of trouble.- Jennifer Harnetty, editor.