It can be challenging to carve geometric patterns into pottery. Aside from sharp tools and patience, you need to know the optimum timing and plan your design carefully ahead of time to do it well. In today’s post, an excerpt from our free download Ceramic Carving Tool Techniques: Bringing the Ceramic Surface to Life, Yoshi Fujii shares his secrets for creating gorgeous carved pottery. PS. To learn how Yoshi Fujii throws his goblets, see the January/February 2015 back issue of Pottery Making Illustrated!
Carving into a clay surface can be very gratifying, but when you’re making pieces for use, you need to be make sure that the carving accentuates the function and doesn’t hinder it. It’s easy to get carried away and end up with a piece that doesn’t function as well as it could. In today’s post, an excerpt from the second edition of our free download Ceramic Carving Tool Techniques: Bringing the Ceramic Surface to Life, potter Emily Reason shares her secrets for getting her clay carving just right. Jennifer Harnetty, editor.
There is something about carving into leatherhard clay that is so satisfying. It’s probably why trimming pots is my favorite part of throwing. But using carving as a decorative tool is something I have never really explored. Until now, that is. After seeing Adam Field work, I am eager to give it a try. And after editing Adam’s DVD, Precision Throwing, Intricate Carving, which debuts today, I am equipped with a lot more knowledge on how to do it successfully! In today’s post, I’m giving you a taste of Adam’s technique and the DVD. – Jennifer Harnetty, editor. PS. Adam demonstrates how he makes his Korean-style carving tools on his new DVD!
Clay is rough on tools. Fortunately, some of the most used tools in the box are quick and easy to assemble right in your own studio. In today’s post, an excerpt from the April 2013 issue of Ceramics Monthly (which, by the way, is now available as an app for Ipads and Android tablets with a screen size of at least 7 inches!), Nancy Gallagher explains how you can make your own sgraffito tools with cheap and easy-to-find materials! – Jennifer Harnetty, editor.
Sgraffito can be an impactful, dramatic way of decorating pots (like in Kathy King’s plate to the left) or a more subtle way to add color or definition to a design (see Kristen Pavelka’s plate below). No matter what effect you’re after, it is super fun to carve into an underglazed or slipped pot. In today’s post, Kathy King, Wayne Bates, and Kristen Pavelka share their best tips for sgraffito, including what tools they use and the perfect time to carve. Everybody does it slightly differently. Read on to see which method makes the most sense to you! – Jennifer Harnetty, editor.
Today we are presenting one of the Honorable Mentions from our recent D.I.Y. Clay Tools Video Contest. This one comes from Cristine Boyd in Denver, Colorado. Cristine was having trouble finding a nice, sharp, affordable sgraffito tool that retained its sharpness so she took matters into her own hands. She discovered that spring steel – the stuff that is in metal tape measures – is the perfect material for sgraffito carving blades. Watch the video to see how she does it!
To fully integrate the glazes with the form and surface, Emily Reason adds texture through both additive and subtractive methods. Today I am presenting an explanation of her slip trailing and carving techniques. We’ll also show you the homemade tool she uses to create the “pleats” on her pots.
Today we are launching another cool free gift: Ceramic Carving Tool Techniques: Bringing the Ceramic Surface to Life. This one is all about carving into clay and the best tools and techniques for doing so. In today’s post, an excerpt from our new download, potter Ann Ruel gives us the ins and outs of carving low relief designs into wet clay.
Tool Talk: Robin Hopper’s Advice on the Best Tools for Carving, Cutting, Scratching, and Slashing Clay
Today, Robin Hopper draws from his many years of experience to give advice on the best carving and trimming tools for pottery and ceramic art.
Today Ellen Kong shares a tip she developed after attending a sgraffito workshop. Using cheap and readily available materials, she came up with a way to ease finger and hand strain from intricate carving.