In this ceramic art lesson plan, Arthur Halvorsen demonstrates how to build a flowerbrick that’s inspired by cake shapes and cake decoration using soft slab techniques combined with slip trailing.
Theme: Endless Techniques
When Geoffrey Chaucer said back in the 15th century “The life so short, the craft so long to learn” he could have been speaking in the 21st century. Pottery making is an art and craft that has no limits for learning, and this is borne out once again in this issue of PMI. Just when you think you’ve mastered enough techniques, we roll out some more, which we think is a good thing. We take a look at some cool throwing techniques and tips in this issue we know you’ll enjoy.
Theme: Part of the Story
When we artists reveal their techniques in Pottery Making Illustrated, we often run out of room. But we’re more than happy to accommodate them when they have more to share. In this issue, we welcome back Paul Barchilon to give us some tips on using die-cut stencils and Bowie Croisant shares his technique for mold making and slipcasting. On the flip side we have Martina Lantin and her Crown Jars but she has more for a future issue.
Maquettes have long been used by artists as a way of planning out a
sculpture. They are basically three-dimensional sketches in miniature
of the eventual larger-scale work. In today’s post, an excerpt from the January/February 2011 issue of Pottery Making Illustrated, Magda Gluszek walks us through her ceramic sculpture process, from maquette to form. – Jennifer Harnetty, editor.
Grout does not just have to be a practical element in tile work. With a wide range of premixed grout colors available, it can also be used to aesthetically enhance a single tile or an entire tile mural. By strengthening the weight of a line or adding a weathered patina, grout can really become an integral part of the decorative process. Today, Laura Reutter demonstrates how grout can be used in this way. She also gives some great advice for press molding and drying tiles without warping.
Theme: The Synergy of Techniques
When it comes to challenging techniques, even the most complicated ones can be broken down into a series of simple steps. In this issue, you’ll get a bonus because each artist takes you step-by-step through a series of techniques to create a work of art. For example, Magda Glusek’s unusual sculpture uses sculpting techniques and decorating with both fired and non-fired finishes. Peter King describes how to handbuild large cylinders you can finish on the wheel and Margaret Bohls makes plaster texture molds as a starting point for her elegant vases displayed on lattice stands. In each article, you’ll find plenty of ideas to inspire your next piece.
Many people know that a microwave oven can be used to dry clay quickly when you’re in a pinch. Dielectric heating (the type used in a microwave oven) is also used in industry to fire ceramics for high-tech applications. This option is also available on a small scale to the studio potter, at least for firing tests and small objects using a microwave kiln. In today’s post, an excerpt from our latest free download the 2011 Buyers Guide to Ceramic Arts Supplies: A Studio Reference for Purchasing and Using Ceramic Supplies and Pottery Tools, Jessica Knapp tells you all about this alternate use for old microwaves!
Theme: Functional Tableware
Remember the rule about form following function? Well, here’s an issue that really illustrates that your forms can be highly creative and still get the job done. Annie Chrietzberg writes about Paul Donnelly’s excellent cup and saucer combinations in our featured project for this issue, and she’s joined by other equally creative takes on the idea of functional creative forms. Martha Grover demonstrates how to make a stunning lidded form, and Joan Bruneau and Arthur Halvorsen provide two entirely different takes on ways on making exciting flower holders. You’ll enjoy all four projects and much more in this issue.
There are many, many ways to put lines onto posts – carving, fluting, painting, drawing – but, I have to say, I had never seen anyone doing it quite like Jeff Campana. Jeff takes his well-thrown porcelain pots, chops them up into pieces, and then reassembles them. Then to top it all off, he uses glazes that pool in the seams. Today, Jeff shares his technique and how he arrived at such a labor intensive process in the first place.
For the Birds: How Deborah Schwartzkopf Uses the Pottery Wheel Combined with Slabs and Molds to Create Her Avian Inspired Forms
Deborah Schwartzkopf’s work has gone to the birds – for inspiration that is. Using bisqued molds based on her observations of birds, Deborah makes work inspired by pelicans and loons and everything in between. Follow her through the process of creating molds and using them as forms for her assembled pots.