Today, Ben Carter tells us all about a cool platter forming technique in which he uses tar paper, slump molds made from insulating foam and hand sewn cloth forms filled with grog. Ben also shares his sgraffito and painted colored slip decorating process.
In today’s video, an excerpt from our latest Ceramic Arts Daily Presents DVD Studio Scale Architectural Ceramics,
Stephani Stephenson explains how to calculate shrinkage and make a
shrink rule. I thought this would be a good clip to share because, even
if you’re not working on an architectural scale, knowing how to
calculate shrinkage is a good skill to have.
Agateware pottery features swirling marbleized colors and was
probably first developed to imitate the qualities of agate, a
semiprecious stone with striated patterning. These swirling effects can
be created either by throwing with a prepared mixture of colored clays,
or by working with thin slabs of colored clay that has been layered to
create patterns. In today’s post, Michelle Erickson and Robert
Hunter demonstrate how to create agateware using the latter of these
techniques. Glazing isn’t the only way to create sweet surfaces!
We all end up with clay scraps when making pottery, and because this
happens at various stages in the cycle, we need a way to bring all of
that clay to an even level of moisture and consistency so it can be
used again. But there is no one way that works for everyone in every
studio. So in today’s post, an excerpt from our second edition of our free download Successful Tips for Buying and Using Pottery Clay, we present an assortment of simple tips for recycling clay without a lot of equipment or hassle.
There is no shortage of application techniques using ceramic underglazes. Laura Kukkee creates her decoration with underglazes on newspaper then transfers it to a freshly rolled clay slab. She also builds up layers of different colored slips and underglaze decoration on newsprint to create a very thin slab. Then she cuts the slab into pieces and uses an appliqué technique to apply the decorated pieces to pots. She also demonstrates silk screened and inlaid appliqué.
I began teaching a beginning pottery class this week and I was
reminded that wedging clay can be tricky to learn…and to teach. But I
came across this video from potter Dorian Beaulieu that does a great
job of demonstrating and explaining the wedging process. I am planning
to model my instruction on Dorian’s from now on!
There is an abundance of clay in my area, and I have occasionally
thought about making work out of local clay. But the process seemed
intimidating, so I never actually tried it (or maybe it was a matter of
laziness!). But as Graham Sheehan demonstrates in today’s video clip,
the process is not all that difficult. It might not be practical for
everyone, but if you’re willing to do a little bit of manual labor,
digging your own clay can be a great way to create an even closer
connection to the work you make, and help lessen your carbon footprint
in the process. Watch the video!
Combine cast and handbuilt parts without the fear of different shrinkage rates. Paul Wandless demonstrates how to make a casting slip from your everyday clay body.
Today, Gwendolyn Yoppolo explains what porcelain will put up with
from the wet phase to the bone dry phase. Plus, don’t miss the
March/April issue of Pottery Making Illustrated in which Gwendolyn
explains how to make her sweet little juicers (like the one shown
Today, Paul Wandless explains how a combination of simple tests can give you plenty of information that will make choosing and learning about pottery and sculpture clays a little easier.