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Ceramics Monthly




CM0489

Ceramics Monthly: April 1989

Posted On April 1, 1989 0 Comments

Building a wood-fired kiln with Doug Casebeer (top) at Appalachian Center for Crafts near Smithville, Tennessee, challenged workshop participants with “total involvement.”

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CM0389

Ceramics Monthly: March 1989

Posted On March 1, 1989 0 Comments

Pennsylvania artist Paula Winokur with “Entry I Sakkara,” a porcelain doorway installed at Helen Drutt Gallery, New Your City. 

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CM0289

Ceramics Monthly: February 1989

Posted On February 1, 1989 0 Comments

Beverly Mayeri (Mill Valley, California), a recipient of $15,000 in the latest round of National Endowment for the Arts fellowships.

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CM0189

Ceramics Monthly: January 1989

Posted On January 1, 1989 0 Comments

Siddig El Nigoumi with sgraffito-decorated earthenware platter. Never quite as traditional or simplistic as they appear at first glance, this Sudanese/British potter’s designs can include the sting of social commentary.

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CM1288

Ceramics Monthly: December 1988

Posted On December 1, 1988 0 Comments

Susan Fairhead (in the foreground) completes every step of surface design—like all decorators at England’s Moorcroft Pottery.

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CM1188

Ceramics Monthly: November 1988

Posted On November 1, 1988 0 Comments

From the exhibition “Pitcher, Jug, Ewer” a $1200 stoneware pitcher, wheel thrown with vertical incising and “ribbing,” 17.5 inches high, by Val Cushing, Alfred University ceramics professor.

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CM1088

Ceramics Monthly: October 1988

Posted On October 1, 1988 0 Comments

Pennsylvania potter Jack Troy at the firemouth of his 24-foot-long anagama in which “work is loaded in complex configurations according to the ‘fire weather’ in a particular zone. I visualize the flame as being a kind of cartographer, mapping the work with textures and color.”

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CM0988

Ceramics Monthly: September 1988

Posted On September 1, 1988 0 Comments

Stephen De Staebler with works in progress.

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CM0688

Ceramics Monthly: June/July/August 1988

Posted On June 1, 1988 0 Comments

Jun Kaneko with a portion of his “Polka Dot Wall,” approximately 12 feet in length, slip-decorated tiles with Cone 6 transparent glaze.

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CM0588

Ceramics Monthly: May 1988

Posted On May 1, 1988 0 Comments

At work in his studio, Minnesota potter Jeff Oestreich finds ‘comfortable can lead to dead work.” He once was reluctant to make changes; now change is welcome.

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