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Ceramics Monthly




CM0990

Ceramics Monthly: September 1990

Posted On September 1, 1990 0 Comments

Full-time potter John Glick in his Farmington, Michigan studio. Part I of Glick’s two-part portfolio looks at the continuum of his work, while discussing mid-career issues that concern potters everywhere.

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CM0690

Ceramics Monthly: June/July/August 1990

Posted On June 1, 1990 0 Comments

Roddy Reed makes a living from pinch pots! Like the mazes decorating some of these works, Reed’s life took many twists and turns before he reached his goal of being a full-time, professional artist.

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CM0590

Ceramics Monthly: May 1990

Posted On May 1, 1990 0 Comments

Carole Aoki finds getting out of the studio and into the fray of public contact at craft fairs is a risky, yet satisfying experience; read her thoughts about selling at the Philadelphia Craft Show in this month’s portfolio.

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CM0490

Ceramics Monthly: April 1990

Posted On April 1, 1990 0 Comments

Montana potter David Shaner talks candidly about his life, work and long studio career in a autobiography beginning on page 41. “It’s no use becoming involved in pottery if you have not decided to live for pottery,” he comments.

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CM0290

Ceramics Monthly: February 1990

Posted On February 1, 1990 0 Comments

Artist-in-residence Graham Marks in his studio at Cranbrook Academy of Art, Bloomfield Hills, Michigan.

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CM0190

Ceramics Monthly: January 1990

Posted On January 1, 1990 0 Comments

Teapot, 9¾ inches high with cane handle. Lizella clay (indigenous red stoneware), with equal parts nepheline syenite and Gerstley borate glaze, fired to Cone 9 in oxidation. The piece was made by Atlanta potter Rick Berman.

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CM1289

Ceramics Monthly: December 1989

Posted On December 1, 1989 0 Comments

Wayne Higby and a “landscape bowl” nestled in hay (his raku fuel of choice). The wooden, lidded box is a chamber he built specifically for post-firing reduction.

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CM1189

Ceramics Monthly: November 1989

Posted On November 1, 1989 0 Comments

Nancy Selvin surrounded by dozens of slip-cast ceramic eggs in her California studio; her story about the major influences affecting her artistic development begins on page 47.

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CM1089

Ceramics Monthly: October 1989

Posted On October 1, 1989 0 Comments

Bruno La Verdiere with works in progress and “Lake Shore Guardian,” left, solid stoneware to to 9 inches thick, stained black. His story about the major influences he encountered on the path from a monastery to his own private studio begins on page 22.

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CM0989

Ceramics Monthly: September 1989

Posted On September 1, 1989 0 Comments

Salt-glazed jar, 11.5 inches in height, wheel-thrown and paddled stoneware, partially coated with white slip, by Warren MacKenzie. Since the early 1950s, Mac Kenzie has responded to the “essential need for functional pots at affordable prices.”

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