I enjoyed solving the problems of making double-walled vessels. The technical challenges made the process of invention fun. Brainstorming several possible ways to create a thermos, and the consequential failures and learning curve kept me actively involved in the process. In the end, though, with the technical problems resolved, I am much more interested in the aesthetic issues and the roles such pots play in our lives.
See how today's ceramic artists are taking the lessons from old traditions and shaping their work for the future. Meet emerging and established ceramic artists and find out what influences their work. Learn more about the issues affecting contemporary studio ceramic artists and potters. In these articles, you'll find out how working artists make it work. You'll learn about their inspirations, methods, challenges and see examples of some of the best ceramic art being made today. And don't forget to download your free copy of Emerging Ceramic Artists: New Pottery and Ceramic Sculpture. You won't want to miss these up-and-coming ceramic artists who are sure to make a mark on the ceramic art world!
Ceramics Monthly’s Working Sculptors issue is coming up in January, so today I thought I would give you a sneak peek at one of the sculptors in the issue. In this excerpt, sculptor Paul Day shares the path he took to a successful art career. Paul started out in the working world as a bank… Read More »
Artist, educator, and author Glenn C. Nelson died on Saturday, April 17, 2010, in Naples, Florida, six weeks shy of his 97th birthday. Nelson was born May 30, 1913 in Racine, Wisconsin. He was the only child of Nels and Bertha Nelson.
Trade of goods between the East and the West dates back to the early days of the Silk Routes, but it wasn’t until the period of early modern colonization that Eastern motifs, styles, and subject matter became vogue in the art of the West. At the same time, Europeanizing trends appeared in the art of the East: a cross-cultural hybridization had
Potter and traditional arts advocate Nancy Sweezy will be fondly remembered for reviving the fortunes of Jugtown Pottery at a time when the continued vitality of North Carolina’s remarkable pottery tradition seemed uncertain. Nancy’s interest in pottery had begun in the 1950s when she lived in New Hampshire and studied at the League of New Hampshire Craftsmen and with Isobel Karl.
Nearly everyone who sees Kristen Morgin’s sculptures has a story to tell about them, and while the stories may be different, their trajectory is often the same: someone recognizes a detail, like the tail fin of a Cadillac or the chiseled mane of a carousel horse, in Morgin’s unwieldy clay monuments, feels her own memories are ensconced in that detail, and begins to speak as though she has been familiar with Morgin’s sculpture for years.
Shigaraki is undoubtedly the Japanese “heartland” of ceramics. Over 1200 years ago, the Emperor designated Shigaraki as the capital of Japan and in the next year he issued an Imperial Ordinance for the construction of a great Buddha. This was the origin of the province of Shigaraki, the birthplace of unglazed ceramics or Shigaraki-Yaki, one of the original six ancient styles.
Ceramics Monthly recently published the winners of its popular Undergraduate Showcase competition. This competition highlights some impressive work by artists who are still in the very beginning stages of their explorations with clay. This year, along with showing the work of these artists, the editors of CM also included a little Q&A with the artists… Read More »
University of Wisconsin-Stout
Instructors: Kate Maury, Geoffrey Wheeler
Kansas City Art Institute, Kansas City, Missouri
Instructors: George Timock, Paul Donnelly