Jewelry box, 4.5 in. (11 cm) in height, soda-fired porcelain. Bowl, 11 in. (28 cm) in diameter, soda-fired porcelain. Over time, traditions adjust to people and their lifestyles. The rate of this change may vary within different cultures. In contrast, nature tends to change slowly and universally. Both of these types of change are meaningful… Read More »
See how today's ceramic artists are taking the lessons from old traditions and shaping their work for the future. Meet emerging and established ceramic artists and find out what influences their work. Learn more about the issues affecting contemporary studio ceramic artists and potters. In these articles, you'll find out how working artists make it work. You'll learn about their inspirations, methods, challenges and see examples of some of the best ceramic art being made today. And don't forget to download your free copy of Emerging Ceramic Artists: New Pottery and Ceramic Sculpture. You won't want to miss these up-and-coming ceramic artists who are sure to make a mark on the ceramic art world!
Draped Series Arches, 22 in. (56 cm) in height, low-fire slip, soda fired,2009. Draped Series, Untitled #2, 2 ft. (1.2 m) in length, low-fire slipand cotton batting, 2009. A moment in time can be captured; however, what remains most important is the memory and existence of that instant. My inspirations have been my grandparents, the… Read More »
Failure to Function, 18 in. (46 cm) in height, earthenware, metallic paints, 2009. Transfuse Me, 25 in. (64 cm) in height, stoneware, glaze, glass, metal, fired to cone 05, 2008. As an artist, it is my responsibility to influence the viewer to see not just an object, but an expression of myself when looking at… Read More »
Bull in a China Shop, 75 in. (1.9 m) in length, stoneware, commercial dishes, ceramic decals, found objects, 2009. My interest in ceramics draws me to analyze the life and character of objects-the idea that possessions can retain the story of human existence. As a result, the scenarios I create in clay combine objects, plants,… Read More »
Momoyama Liquor Set, 10 in. (25 cm) in width, thrown, altered, and assembled stoneware (with cellulose fiber, nut shells, feldspar chips, and grog) and porcelain, soda-fired, 2008. Double Condiment, 12 ½ in. (32 cm) in length, thrown, altered, and assembled stoneware (with cellulose fiber, nut shells, feldspar chips and grog) and porcelain, soda-fired, 2009. I… Read More »
Composition of Eight, 16 in. (41 cm) in height (tallest), wheel-thrown stoneware, iron glaze, soda fired to cone 10. Composition of Fourteen, 16 in. (14 cm) in height (tallest), wheel-thrown stoneware and porcelain, wax resist glaze and soda glaze, fired to cone 10. Finding art within functional pottery has become my passion. I begin a… Read More »
Ice bucket, 16 in. (41 cm) in height, soda-fired porcelain, 2009. Serving bowl, 14 in. (36 cm) in diameter, soda-fired porcelain, 2008. While at Sheridan College my focus has been to explore as much technique and process as possible. The challenging method of soda firing has captured my attention. The random atmosphere and the dynamic… Read More »
3-Tier Cake, 15 in. (38 cm) in height, stoneware with slips and glaze, fired to cone 10, 2009. Bread tray, 18 in. (46 cm) in length, stoneware with slips and glaze, fired to cone 10, 2009. Conceptually, it is my intention to physically preserve a celebration, capture a moment, and honor the functional form. The… Read More »
It’s summer time and that means the deadline (June 30 – write it down!) is fast approaching for Ceramics Monthly’s Annual Undergraduate Showcase competition. The competition is open to all undergraduate students enrolled in ceramics classes at accredited post-secondary educational institutions, including 2009 graduates. The winners get their work featured in Ceramics Monthly. And heck,… Read More »
In my current studio work, the Factory Work Series, I am equally
interested in formal design considerations and conceptual concerns.
Each piece is carefully crafted with emphasis on elements in contrast;
most notably the delicate white figures juxtaposing the crusty