Momoyama Liquor Set, 10 in. (25 cm) in width, thrown, altered, and assembled stoneware (with cellulose fiber, nut shells, feldspar chips, and grog) and porcelain, soda-fired, 2008. Double Condiment, 12 ½ in. (32 cm) in length, thrown, altered, and assembled stoneware (with cellulose fiber, nut shells, feldspar chips and grog) and porcelain, soda-fired, 2009. I… Read More »
See how today's ceramic artists are taking the lessons from old traditions and shaping their work for the future. Meet emerging and established ceramic artists and find out what influences their work. Learn more about the issues affecting contemporary studio ceramic artists and potters. In these articles, you'll find out how working artists make it work. You'll learn about their inspirations, methods, challenges and see examples of some of the best ceramic art being made today. And don't forget to download your free copy of Emerging Ceramic Artists: New Pottery and Ceramic Sculpture. You won't want to miss these up-and-coming ceramic artists who are sure to make a mark on the ceramic art world!
Composition of Eight, 16 in. (41 cm) in height (tallest), wheel-thrown stoneware, iron glaze, soda fired to cone 10. Composition of Fourteen, 16 in. (14 cm) in height (tallest), wheel-thrown stoneware and porcelain, wax resist glaze and soda glaze, fired to cone 10. Finding art within functional pottery has become my passion. I begin a… Read More »
Ice bucket, 16 in. (41 cm) in height, soda-fired porcelain, 2009. Serving bowl, 14 in. (36 cm) in diameter, soda-fired porcelain, 2008. While at Sheridan College my focus has been to explore as much technique and process as possible. The challenging method of soda firing has captured my attention. The random atmosphere and the dynamic… Read More »
3-Tier Cake, 15 in. (38 cm) in height, stoneware with slips and glaze, fired to cone 10, 2009. Bread tray, 18 in. (46 cm) in length, stoneware with slips and glaze, fired to cone 10, 2009. Conceptually, it is my intention to physically preserve a celebration, capture a moment, and honor the functional form. The… Read More »
It’s summer time and that means the deadline (June 30 – write it down!) is fast approaching for Ceramics Monthly’s Annual Undergraduate Showcase competition. The competition is open to all undergraduate students enrolled in ceramics classes at accredited post-secondary educational institutions, including 2009 graduates. The winners get their work featured in Ceramics Monthly. And heck,… Read More »
In my current studio work, the Factory Work Series, I am equally
interested in formal design considerations and conceptual concerns.
Each piece is carefully crafted with emphasis on elements in contrast;
most notably the delicate white figures juxtaposing the crusty
I believe in the natural cycles of the earth. I often find truth within
these patterns of life and death. While cities grow, wars rage and
industry climbs, nature’s pulse is just as persistent. Migratory paths
remain, rivers continue to run downstream, wolves hunt, and insects are
The surrealistic nature of dreams and childhood memories motivate the
manifestation of the drawn, sculpted and painted images of my forms. I
am drawn to an aesthetic that is both visceral and detailed. I intend
for image, color and clay to exist as a harmonious vehicle that can
generate stories for the viewer.
I am investigating how we experience what we are attracted to. This
experience is multifaceted, involving an awareness of nature, various
cultures and histories, and a connection to ceramic vessels. I do this
with the understanding that visual and physical attraction are both
different than our experience of beauty.
My art explores the overlap and interrelation between child play, adult
play, desire and sensuality. Many of our toys were handed down from
generation to generation. I strive to capture the appeal of those
toys—Lincoln Logs, Legos and wooden blocks—that endured time and