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Ceramics Monthly




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Ceramics Monthly June/July/August 2013

Posted On May 10, 2013 0 Comments

Things have changed, as they always tend to do. Once upon a time, this would have been the issue in which I would be writing about all the upcoming fairs and festivals, where the bulk of most professional clay folks’ income was generated. While that still holds true for some, it’s a progressively smaller part of how makers make a living.

—Sherman Hall, Editor

Read the full Letter From the Editor.
Buy this back issue – $4.99 (PDF only)

 

 

From the Editor June/July/August 2013

Posted On May 10, 2013 0 Comments
Things have changed, as they always tend to do. Once upon a time, this would have been the issue in which I would be writing about all the upcoming fairs and festivals, where the bulk of most professional clay folks’ income was generated. While that still holds true for some, it’s a progressively smaller part… Read More »

Abmeyer + Wood Fine Art

Posted On May 1, 2013 0 Comments

Seattle, Washington

www.abmeyerwood.com

From the Editor May 2013

Posted On April 11, 2013 0 Comments
Once a year, the editorial staff spends a few days looking through all of the submissions for our annual Emerging Artist feature. We each pull out the entries we want to consider, put them all together in a group, and start discussing the specific and relative merits of each. After several rounds of this, we… Read More »
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Ceramics Monthly May 2013

Posted On April 11, 2013 0 Comments

We are reminded that there is a lot of very good work being made by folks just coming into their own, and we always end up with a renewed sense of excitement and anticipation about what studio ceramics will have in store for us in the coming year. It’s not that we don’t pay attention to those who are “emerging” throughout the year, but it’s nice to see so many all at once.

—Sherman Hall, Editor

Read the full Letter From the Editor.

Buy this back issue – $4.99 (PDF only)

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Ceramics Monthly April 2013

Posted On March 12, 2013 0 Comments

What would I make? Exactly what I’m making. I’ve made my choices, and the work I make is the result of those choices. I think this is true for all of us, whether we’re in full-time production or making one-offs on a very part-time schedule.

—Sherman Hall, Editor

Read the full Letter From the Editor.

Buy this back issue – $4.99 (PDF only)

From the Editor April 2013

Posted On March 8, 2013 0 Comments

What would I make? Exactly what I’m making. I’ve made my choices, and the work I make is the result of those choices. I think this is true for all of us, whether we’re in full-time production or making one-offs on a very part-time schedule.– Sherman Hall, editor

Letter from the Editor March 2013

Posted On February 14, 2013 0 Comments

We all wear many hats (or jackets, or aprons, as the case may be), and I think the primary concern for me is not so much the size of your pottery hat, but simply that you have one.

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Ceramics Monthly March 2013

Posted On February 14, 2013 0 Comments

We all wear many hats (or jackets, or aprons, as the case may be), and I think the primary concern for me is not so much the size of your pottery hat, but simply that you have one.

—Sherman Hall, Editor

Read the full Letter From the Editor.

Buy this back issue – $4.99 (PDF only)

Ceramics Monthly February 2013

Ceramics Monthly, February 2013

Posted On January 14, 2013 0 Comments

I think we may see as much development in studio ceramics in the next 10 years as we’ve seen in the last 60, and that is more exciting than it is daunting, more hopeful than it is ominous. And for us, at the end of the day, it’s really still just the basic material of mud in our hands that inspires us to create—which is why it’s worth exploring for another 60 years. —Sherman Hall, Editor

Read the full Letter From the Editor.

Buy this back issue – $4.99 (PDF only)