It’s June, which means the Working Potters issue of Ceramics Monthly has hit the newsstands! I am always a fan of this issue because it gives a nice glimpse into how others (from all over the world) make this “studio potter thing” happen. In today’s post, Yasha Butler, an artist currently splitting her time between studios in two different countries, discusses how her nomadic lifestyle creates both logistical challenges and creative inspiration.- Jennifer Harnetty, editor.
PS. Read the rest of Yasha’s story, and see more images of her work in the June/July/August 2014 issue of Ceramics Monthly.
Not sure what to use all those social-media platforms for? They’re great for finding ways to connect, share ideas, and build community. Adam Field has found ways to do all of this by organizing a ceramics scavenger hunt. In today’s post, on excerpt from the March 2014 issue of Ceramics Monthly, Garth Johnson tells the story of Hide-N-Seekah! – Jennifer Harnetty, editor.
I often joke about the lovely views in my studio: the washer and dryer and ever present pile of laundry, the only slightly private basement toilet, you get the idea. So I like to post excerpts from Ceramics Monthly’s Studio Visit department from time to time so I can daydream about the day my studio ceases to be subterranean. In today’s post, British artist Matthew Chambers takes us on a virtual tour of his studio on the Isle of Wight.- Jennifer Harnetty, editor.
When Eric Serritella decided to move to North Carolina from New York, he had the conundrum that most of us face when moving – where to set up shop. He decided to rent space while he settles into the area, and he found another potter who was willing to oblige with a beautiful space. In today’s post, Susan and Eric share how they make their arrangement work for both of them, and give advice to others who contemplate working in a shared space. - Jennifer Harnetty, editor.
The Ceramics Monthly Working Potters issue is out! I always love this issue because I enjoy hearing other potters talk about how they got to wherever they happen to be in their careers. In this excerpt from not of the working potter articles, Nan Coffin tells about her journey, from her first hand built kick wheels and kilns, to the lovely San Diego studio where she works today. – Jennifer Harnetty, editor.
Kenji Uranishi left the countryside of Japan in 2004 to set up shop in Brisbane, Australia and be with his Aussie girlfriend (now wife). His studio is small and sometimes it is necessary to spill over into the rest of the house – a challenge with two young boys! But he still manages to make his gorgeous delicate work. In today’s post, Kenji explains how he makes his small studio work for him.
It has been nearly two years since a devastating earthquake and tsunami hit northern Japan. After the disaster, we posted an entry from potter Euan Craig’s blog (Euan the Potter) documenting how his family and his pottery were impacted. Euan and his family made the difficult decision to relocate and start over. In today’s post, an excerpt from his Studio Visit article in the March 2013 issue of Ceramics Monthly, Euan gives us an update from his new studio in Minakami, Japan. – Jennifer Harnetty, editor.
The Working Potters issue is back. In it, eight fulltime potters share their trials, tribulations and triumphs working for a living in this field. Today, we’ll present an excerpt from that article.
In a world that seems to favor the fast and the cheap, it can be difficult to sustain a career as a maker of handmade objects. In fact, I think artists work harder than anyone I know to sustain their careers. Even with a successful exhibition career, a teaching gig, and selling her pots, Molly Hatch struggled with these very issues. Then she got a very intriguing email. The major retailer Anthropologie was interested in partnering with her to produce a line of dinnerware for the store. In today’s post, Molly explains how this turn of events came about and gives advice for other potters hoping to receive similar emails!
As a child I always enjoyed making things. It’s been part of my trajectory from the very beginning; I loved to draw, paint, sew, and create doodads with whatever was around. My family has a history of women artists, though it has only been my generation who has worked professionally at it.