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Functional Pottery

By Robin Hopper

Form and Aesthetic in Pots of Purpose

 

Functional Pottery has been used by potters around the world and in a great many colleges and universities as required reading. It is a book of personal development in the design, making, and aesthetics of ceramics objects for use, based on more than 40 years of practical experience.

This book includes images of work by potters from around the world working with functional pottery. It also includes a wide range of illustrations of objects drawn from many of the world’s major museums. Not only is this book the most informative written on the subject of functional pottery and its design and aesthetic, but the illustrations of both historical and contemporary objects put the equivalent of a museum and art gallery at your fingertips. Full of information and practical tips, it is an invaluable reference that should be in every potter’s studio.

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Here is some of what you’ll find in Functional Pottery

In his book The Lesser Life, William Morris, the great 19th century designer-craftsman says:

“I should say that the making of ugly pottery was one of the most remarkable inventions of civilization.”

He was talking about the visual monstrosities of the Victorian period of industrial pottery production. This period of questionable aesthetics heavily influenced North American art pottery of the early 20th century. A hundred years after the Victorians, we still have a remarkable abundance of visual pollution all around us.

Historically, pots were seldom made with specific considerations or analysis of how they might best perform their duties. However, since the early 20th century edict of Walter Gropius and the Bauhaus movement that “form follows function,” potters and the public have become much more aware of how things work most efficiently through the study of ergonomics.

Making pottery is a timeless occupation, and the best of pots through the ages have a quality of timelessness about them that transcends chronological and cultural boundaries. Their appeal is universal. The essence of form, the movement of a brush, the quality of surface, the hidden meanings, and the integration with mankind’s daily existence over several thousand years, all add to the significance of the art.

Functional Pottery
is about pots of purpose—their forms, meanings, and functions. If you’re looking to incorporate new vigor and understanding into the process of making pots for use, Functional Pottery will stimulate. While history, design and how-to are all covered, Functional Pottery goes beyond these to also focus on the development, design and making
of utilitarian pottery and the thought processes behind it.

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Within the four parts of Functional Pottery, you’ll find discussions of

• Historical, cultural and ethnic variations

• Form, growth, and design

• Practical and analytical approaches for both the student and working potter

• Sixteen contemporary clayworkers

No matter what type of functional work you’re making or planning to make, Functional Pottery, provides insight, information and inspiration you’ll refer to over and over again.

Here’s a list of the contents

Part One: Made to be Used

Chapter 1: Origins

Chapter 2: Functions, Methods, Shapes, and Details
    Pots of Purpose
    Making Methods
    The Development of Shape
    Details

Chapter 3: Ethnic Variations and Historical Eclecticism
    The Ritual of the Kitchen and the Table
    Historical Eclecticism

Part Two: Form, Proportion, Relationships—The Measure of All Things

Chapter 4: Geometry and Universal Symbols
    Symbolism in Geometric Forms
    Interrelationships of Geometric Forms

Chapter 5: Forms and Forces, Nature and Growth

Chapter 6: Proportion and Ration

Chapter 7: Pots and Anatomy
    Mouths, Lips, and Noses
    Fingers, Hands, Wrists, Elbows, and Shoulders
    Ears

Chapter 8: Roots, Growth, Rhythm, and Balance
    Roots
    Growth
    Rhythm
    Balance

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Part Three: Mechanics—Analysis, Practice, Considerations

Chapter 9: Attention to Details
    Base Terminations: Bottoms and Feet
    Top Terminations: Rims, Mouths, Lips, Edges
    Lids and Covers
    Spouts
    Knobs and Finials
    Handles
    Lugs
    Weights and Measures

Chapter 10: Pots for Eating From
    Bowls
    Plates

Chapter 11: Pots for Drinking From
    Beakers, Tumblers, and Handleless Cups
    Mugs
    Cups and Saucers
    Tea Bowls
    Goblets and Chalices

Chapter 12: Pots for Storage
    Kitchen Canisters
    Tea Caddies and Tobacco Jars
    Jam and Honey Pots
    Bread Crocks
    Rum Pots
    Pickling Jars
    Butter or Margarine Dishes
    Cheese Bells
    Containers for Liquids

Chapter 13: Pots for Pouring From
    Pitchers
    Decanters
    Teapots
    Coffee Pots
    Sauce Boats

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Chapter 14: Pots for Cooking In and Serving From
    Closed Cooking Pots
    Open Cooking Pots
    Pots for Microwave Cooking
    Pots for Serving From
    Vegetable Dishes
    Tureens

Chapter 15: Pots for Rituals and Contemplation
    Pots for Flowers
    Pots for the Ashes of the Dead
    Pots for Contemplation

Chapter 16: Considerations
    Form
    Foot or Base
    Rim
    Lid
    Spout or Pouring Lip
    Handles, Knobs and Lugs

Chapter 17: Technical Requirements
    Caveat Emptor—Buyer Beware
    Simplified Technology for the Studio Potter

Part Four: Ways of Working
    John Leach
    Ruthanne Tudball
    Gwyn Hanssen Pigott
    Prue Venables
    Bruce Cochrane
    Friederike Rahn
    Robin Hopper
    Cathi Jefferson
    Stanley Mace Andersen
    Michael Kline
    Walter Keeler
    Kevin de Choisy
    Denise Goyer and Alain Bonneau
    Pascale Girardin
    Eilene Sky
    Jenny Lou Sheriburne

Conclusion: Standards and Aesthetics

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