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This remarkable collection of Ceramics Monthly articles, written by Elaine Levin, tells the stories of some of the most notable figures of the ceramic art movement in the U.S. Levin relates the struggles and successes of 26 movers and shakers dedicated to unselfishly pushing ceramic art into uncharted territory so others could enjoy and benefit from their efforts. From Binns, Baggs, Robineau and the Wildenhains, through Voulkos and Soldner, the stories in Movers and Shakers in American Ceramics are sure to educate and inspire.
Mimi Obstler's Out of the Earth, Into the Fire
studies glazes by examining the connection between the ceramic raw
materials and the surface of a ceramic form. This book presents a
twofold approach to the study of claybodies and glazes that is both
empirical and historical in nature. It is empirical because it seeks to
create and understand ceramic surfaces in terms of a hands-on
experience with the primary minerals of our earth. It follows a
historical approach in its focus on a single mineral as the core of the
glaze or the claybody.
Pioneer Pottery is one of the classic texts in ceramic literature. Its author, Michael Cardew, was one of the seminal figures in British ceramics and this book, written partly in response to his time spent in Africa, has influenced generations of potters around the world.
In this collection of pottery techniques, you'll discover scores of great ideas, practical information you can use and seeds of inspiration that you can nurture. Pottery Making Techniques showcases more than thirty skilled artists who provide instruction and insights to techniques they use on a regular basis. They've learned from their mistakes, sorted out the good from the bad, and streamlined methods that will work for you. Intermediate to advanced techniques are presented in a well-illlustrated, step-by-step format that will provide years of inspiration.
Pottery of Mexico: Pineapples of Patamban and San José de Gracia
In this video, a potter and a filmmaker work together to beautifully document potters in two neighboring villages---Patamban and San José de Gracia. This documentary covers how the potters produce their low-fire pieces from start to finish.
This is a book about Mel Jacobson’s experiences as a potter during the past four decades—as a student, an apprentice, a teacher, and an avid participant in all things ceramic. Each chapter of this autobiographical account relates to a different facet or technique of pottery making, with instructive text and illustrations as well as entertaining stories from his time in Japan and candid opinions from the Clayart listserve.
British
potter John Mathieson provides a clear and concise overview of the raku
process, covering all the essentials—clay types, post firing reduction
methods, and equipment. You'll also enjoy the tips and techniques
shared by 30 experts on topics spanning the entire raku process from
conception to final reduction.
The surface provides
endless possibilities for the ceramic artist, and Making Marks is sure to inform, instruct and inspire the ceramic artist on your list. This book is about enriching the ceramic surface and how a potter at any skill level can achieve the best surface treatment.
This
impressive companion two-disc DVD set includes six programs dedicated
to decorating and enriching ceramic surfaces. Suitable for any skill
level, these DVDs provide many creative ideas including working
processes, tools, close-ups of surface details, and more!
This biography, written by Louana Lackey, is a history and celebration of Autio’s life, work, career, and techniques. Rudy Autio is considered one of the most important and influential ceramic artists working in the United States in the last fifty years. With works in the permanent collections of museums around the world, he has left an indelible mark on the world with his art.
Shoji Hamada is an ebullient, fascinating portrait of a great potter, tracing his place in the ceramic tradition and revealing a keen perception of his energetic life style, his dazzling work cycle, and intriguing specifics about the firing of his kilns.
For anyone interested in soda or salt firing, Soda, Clay and Fire covers the topic in great detail. The technical research and presentation surpass all existing literature on the topic, and the rich, vibrant examples of finished work are stunning and sure to inspire. With soda firing, the creative process continues until the kiln is turned off. Nichols' book discusses the principles behind this technique and delves into clays, glazes, loading protocols, firing schedules and more. Also included are profiles of other artists working with this technique and examples of their work.
Studio Practices, Techniques and Tips is a collection of articles, suggestions, and questions and answers from the Ceramics Monthly archives. Potters share their knowledge on a full range of topics including designing a studio, making and using tools and equipment, photographing work, marketing and sales, kilns and firing. Also the stories of problem solving, insightful solutions, and the individual stories of challenges and successes. This is a must-have book for any potter or clay artist setting a course for pursuing clay beyond the casual past-time.
Making big pots is a matter of technique and not strength. You will learn to make pots two to three times the scale you are presently working at. Vases, bowls, large casseroles and jugs are demonstrated. The techniques shown will open a new range of vessel possibilities that are enhanced by their scale.
Throughout
his career, Philippe Faraut has extensively studied ethnic differences,
the mechanics of expression and the aging process. In this third
installment of his instructional series, Philippe Faraut focuses on
modeling the heads of men. His demonstrations include basic structure
comparisons of different ethnicities, techniques for modifying
expressions to convey emotions to the viewer, the mechanics of the
aging process and facial weight distribution for heavy-set men. In
addition, he completes one bust of a man including hair and clothing.
This 111-minute production was created for the advanced artist.
Philippe Faraut is a figurative artist specializing in life-size portrait sculptures and monumental stone sculptures. His media of choice are water-based clay and marble. He received his degree in woodcarving and the construction of French fine furniture from Germain Sommeillier in Annecy, France, his boyhood home.
An avid traveler, Philippe's destinations have allowed him the opportunity to study the cultures of many countries in Europe, Asia, Africa and the Caribbean, thus influencing his work in portraiture sculpting. After establishing residence in the Chesapeake Bay area of Virginia, he developed an interest in modeling the head in clay. Soon thereafter, he relocated his studio to New York state and began teaching sculpting classes.
The Art of Sculpting with Philippe Faraut - Volume 1: Children
Sculpting figures is one of the oldest art forms in existence. In this first volume of his instructional videos, Philippe Faraut shares his step-by-step method of construction, as well as a guide to catch and correct common mistakes, while demonstrating in wet clay, his favorite medium. Filmed on location in Honeoye, New York at his studio, this 89 minute DVD offers instruction easily followed by a beginner and complete enough to keep the interest of the most experienced sculptor.
The Art of Sculpting with Philippe Faraut - Volume 2: Expressions and Facial Construction
In this volume which covers individual features of different expressions, Philippe demonstrates rapid exercises in water-based clay that are useful for developing sculpting skills, including how to recognize volumes specific to different ages, genders, and ethnic groups. This 110 minute sculpting DVD also includes a comprehensive demonstration on hollowing and firing techniques. Depending on the specific expression or gesture, specific features need to be altered. This volume is basically in two parts. In the first part, he repeats some of the basic information about tools and clay but mentions the importance of an anatomy reference such as a model perhaps used in medical schools to study bone and muscle structure. But references from the internet would also be acceptable.
The udu drum is an all clay musical instrument based on the Nigerian side-hole pot drum. Its traditional form is that of a narrow necked, vase-like vessel, with a circular hole in the side in addition to the opening at the top.
Frank Giorgini first learned to make the udu drum from Abbas M. Ahuwan of Zaria, Nigeria in 1974. In this comprehensive, interdisciplinary DVD Frank demonstrates the traditional Nigerian method of constructing an udu drum from clay into a finished functioning musical instrument. The entire process is clearly presented in a real ...
The Ceramic Arts Handbook Series Discount Packages
Save Up to $50 on Book Packages You’ll find more information and better ideas in our Ceramic Arts Handbook Series than anywhere else. These popular books perfectly complement any studio collection by providing hundreds of techniques, tips and ideas. Carefully edited topics provide you with a wealth of inspiration from scores of professional artists and potters. Add them to your library or give them as gifts, when combined into packages, you’ll enjoy SAVINGS of up to $50 and new skills that will last a lifetime!
The accepted standard for understanding glazes, this book explores glaze and color making in a hands-on way that follows the empirical understanding used for thousands of years. Hopper provides an impressive description of his extensive research into glaze, color, texture, and surface enrichment. It is the perfect practical complement to any glaze theory or process of calculation, including glaze calculation software programs.
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