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Video of the Week: Glaze Trailing Beautiful Surface Designs

Posted On July 12, 2013 16 Comments

As most any potter will tell you, glazing is probably the most challenging part of making pottery. It takes a lot of practice and experimentation to get it right (and it is easy to ruin a successful pot by getting the glazing wrong).

 

Sarah Jaeger is one of those potters who gets it so right. In today’s video, an excerpt from her new DVD Throwing, Altering, and Glazing For Function and Beauty, Sarah takes us through the glazing process of one of her gorgeous pots (a process developed after plenty of practice and experimentation!).

 

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How to Attach a Generous Thrown Knob to a Lid Without Compromising Structure

Posted On December 14, 2012 4 Comments

Sarah Jaeger’s soup tureens have generous, bulbous knobs resembling “onion domes” popular in Russian architecture. They are quite striking and look like they’d be easy to use as well. It can be problematic throwing a knob on a leatherhard lid, especially a large knob and especially with porcelain. There’s always the worry that the lid will give out under the pressure or that the knob will be so heavy it will slump in the kiln. But in today’s post, an excerpt from Throwing, Altering, & Glazing for Function and Beauty, Sarah demonstrates how she makes them and gives tips for avoiding catastrophe! 


Jaeger Cover

Throwing, Altering & Glazing

Posted On November 30, 2012 Comments Off

NEW RELEASE – Now shipping!

In this latest installment of the Ceramic Arts Daily Presents Video Series, Sarah Jaeger presents her techniques for making beautiful porcelain pots with a strong emphasis on function. With a goal of making pots that will be incorporated into the daily lives of those who own them, Sarah explains how she considers every detail in the design of her forms, from the size of a knob to the placement of handles. In addition to the object’s physical shape, she demonstrates how the glazing process enhance a form. A firm believer that the the visual is as important to function as the tactile, Sarah demonstrates how she layers colors with overglaze trailing and layering with wax resist to create lustrous surfaces that attract the hand as well as the eye.