It’s Back! Completely Redesigned and Revised!
The electric kiln has helped to open the doors of the ceramic world to more and more people due to its convenience, ease of use, and economical benefits, and this new edition of Electric Kiln Ceramics is a must-read for anyone firing electric kilns. With the wealth of information on making work, decorating work, glazing work, and firing work, this book is not just a manual for the kiln itself, but for the whole studio as well. This fourth edition of Electric Kiln Ceramics, Richard Zakin’s seminal work on understanding and using the electric kiln to its fullest potential, has been completely rewritten, reorganized, and expanded by Frederick Bartolovic.
With the publication of the this second edition, Richard shows us just how comprehensive his knowledge is and how clearly he can structure and explain this sort of material to others. This greatly expanded and updated book features more than 300 beautiful color photos of the most innovative work being done in the ceramics field today. Works by leading artists are showcased in sections on utilitarian pottery, non-utilitarian pottery, sculpture, and work in the wall piece format.
Electric kilns are used by contemporary ceramists more often than kilns of any other type. In today’s post, an excerpt from Electric Kiln Ceramics, Richard Zakin explains the features that one should look for in an electric kiln. And if you’d like to start off small and purchase a test kiln, Richard has some tips for getting the most out of those small, but handy devices.
Learning how different materials contribute to glazes is very important in expanding your abilities as a ceramic artist. And the best way to learn about glaze chemistry is to test, test, test. By testing lots of recipes and varying the ingredients, you can become familiar how ceramic raw materials behave and interact. In today’s post, Richard Zakin explains his straightforward system for making and testing glazes. With this primer, you’ll be able to start testing away!
In today’s post, we are presenting a little intro to glaze mixing and testing from Richard Zakin. In it he explains how the glaze making process is easily mastered if you have the right tools, follow an ordered procedure, and take the work seriously.
In today’s post, Richard Zakin walks us through all the major considerations of kiln performance. If you don’t already have a kiln, read on to find out how to build a sawdust kiln out of readily available materials.
Fuels are organic and carbon based, they burn readily. Until recently, all kilns were fuel burning; even now when we have ready access to easily fired electric kilns, many ceramists continue to use fuel-burning kilns: this kind of firing has an enduring appeal.Very simply, there are certain kinds of visual effects that can only be obtained from a fuel-burning kiln.