Last summer, Lisa Naples came to town for a marathon week of filming two DVDs. The first one, Flat to Functional, was launched in March, and I am happy to say her much-anticipated Narrative Animal Sculpture, makes its debut today! As both an animal lover and a clay lover (not to mention a big fan of the lovely Lisa Naples), I really enjoyed this video.
For today’s video, I’m sharing a (much condensed) clip in which Lisa demonstrates sculpting a rabbit’s head – but as she points out, the process can be applied to all mammals with special attention paid to the unique features of each one. – Jennifer Harnetty, editor.
Animals have long been used as symbols in storytelling all around the world, and visual artists have been using animal figures in artwork for just as long. In this installment of the Ceramic Arts Daily Presents Video Series, Lisa Naples shares her insights and techniques on sculpting animals in clay to tell stories. She begins with a mixed media project, explaining not only the ins and outs of sculpting convincing mammal forms in clay, but also the technical issues of building clay pieces to successfully mesh with non clay materials. She also explores the process of pairing animal parts with pottery forms, creating a sculptural bird vase. In addition, Lisa shows how to make the figures come alive through her fabulous brush work and dry-brush slip application. Throughout the video, Lisa shares her insights on how to play with ideas and incorporate symbolism and meaning into your work.
There are lots of ways to create texture on pottery, the most obvious being stamping the malleable surface. But Lisa Naples creates beautiful random texture on her work with slips of varying consistencies. In today’s post, an excerpt from her our compilation DVD Handbuilding: Texture and Surface, she demonstrates how her thin, thick, and thicker slips can build up different textures creating lovely surfaces.- Jennifer Harnetty, editor.
If you have ever experienced using a tried and true glaze in one firing and had the exact same glaze come out completely differently in a later firing. There are lots of different reasons why this could happen, but a common one is that the glaze density was not consistent from one glazing session to the next. In today’s post, an excerpt from her new DVD Flat to Functional: Handbuilding and Slip Decorating, Lisa Naples gives some great tips for making sure your glaze results are consistent.- Jennifer Harnetty, editor.
I am happy to announce that the lovely Lisa Naples’s DVD Flat to Functional: Handbuilding and Slip Decorating, is making its debut to the world today. Lisa is a consummate teacher with a gift for explaining how her hands manipulate the clay. In today’s clip, I’ve gathered a couple of particularly good little nuggets of information on making your slab built joints super strong. Enjoy! – Jennifer Harnetty, editor.